{"id":207,"date":"2008-05-04T10:49:32","date_gmt":"2008-05-04T08:49:32","guid":{"rendered":"http:\/\/www.darkart.cz\/?page_id=207"},"modified":"2008-05-08T14:59:37","modified_gmt":"2008-05-08T12:59:37","slug":"stefan-hoenerloh","status":"publish","type":"page","link":"https:\/\/darkart.cz\/?page_id=207","title":{"rendered":"Stefan Hoenerloh"},"content":{"rendered":"<p style=\"text-align: justify;\"><a style=\"text-decoration: none; font-family: Arial; font-size: 10pt;\" href=\"http:\/\/www.hoenerloh.de\/\" target=\"_blank\"><img loading=\"lazy\" class=\"attachment wp-att-243 alignleft\" style=\"float: left; margin-right: 10px;\" src=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/head_hoenerloh.jpg\" alt=\"head_hoenerloh\" width=\"120\" height=\"120\" \/>www.hoenerloh.de<\/a><\/p>\n<p style=\"text-align: justify;\"><strong> Narozen v \u0161edes\u00e1t\u00fdch letech v N\u011bmecku, nyn\u00ed \u017eije v Berl\u00edn\u011b<\/strong><\/p>\n<p style=\"text-align: justify;\">M\u011bsto, m\u011bsto, m\u011bsto&#8230;            T\u00e9ma, kter\u00e9 si \u0159ada autor\u016f zvolila pro sv\u00e9 pr\u00e1ce. Ka\u017ed\u00fd po sv\u00e9m, ka\u017ed\u00fd            jinou technikou. Stefan Hoenerloh maluje tak\u00e9 m\u011bsto, ale zp\u016fsobem,            kter\u00fd v\u00e1s nenech\u00e1 vydechnout, abyste neporu\u0161ili nekone\u010dn\u00e9 ticho a            t\u00edsnivou atmosf\u00e9ru, kter\u00e1 v\u00e1s z jeho velkoform\u00e1tov\u00fdch obraz\u016f zas\u00e1hne.            Jeho obrazy jsou obrazy m\u011bsta a dom\u016f, ulic, z\u00e1kout\u00ed, n\u00e1ro\u017e\u00ed, v\u00fdklenk\u016f            a opr\u00fdskan\u00fdch zd\u00ed. Rovn\u011b\u017e opadan\u00fdch \u0159\u00edms, slep\u00fdch oken a om\u0161el\u00fdch            schodi\u0161\u0165. M\u011bsto, jak\u00e9 Stefan maluje je pr\u00e1zdn\u00e9, dokonale zbaven\u00e9 v\u0161eho            organick\u00e9ho, strom\u016f, kv\u011btin, pt\u00e1k\u016f a hlavn\u011b lid\u00ed. Vznik\u00e1 t\u00edm obrovsk\u00fd            kontrast, kdy n\u00e1hle vid\u00edme m\u011bsto bez lid\u00ed, tak, jak na n\u011bj nejsme            v\u016fbec zvykl\u00ed. Okam\u017eit\u011b vyvst\u00e1v\u00e1 ot\u00e1zka: Co se stalo? Kde jsou            v\u0161ichni? Kam \u0161li? Je tu v\u016fbec n\u011bkdo? Dokonal\u00e1 no\u010dn\u00ed m\u016fra ztracenosti v            n\u011b\u010dem, co bylo p\u016fvodn\u011b lidsk\u00fdm s\u00eddli\u0161t\u011bm. Div\u00e1k podv\u011bdom\u011b nahl\u00ed\u017e\u00ed do            ka\u017ed\u00e9ho okna, do ka\u017ed\u00e9ho pr\u016fchodu, zda-li v n\u011bm nezahl\u00e9dne alespo\u0148            n\u00e1znak toho, \u017ee zde n\u011bkdo bydl\u00ed, co\u017e by p\u016fsobilo najednou velmi            uklid\u0148uj\u00edc\u00edm dojmem. Ka\u017ed\u00e1 takov\u00e1 snaha se ale ve Stefanov\u00fdch obrazech            st\u00e1v\u00e1 marnou, nech\u00e1v\u00e1 architekturu vyniknout nade v\u0161e ostatn\u00ed, ale            sv\u00fdm vlastn\u00edm zp\u016fsobem. Spolu s jasn\u00fdm projevem \u010dasu a eroze tak            nech\u00e1v\u00e1 nezodpov\u011bzen\u00e9 v\u0161echny na\u0161e ot\u00e1zky t\u00fdkaj\u00edc\u00ed se existence \u017eivota            v ulic\u00edch jeho m\u011bst. Fantaskn\u00ed pr\u00e1zdnota, atmosferick\u00e9 kompozice,            vyv\u00e1\u017een\u00e9 barvy, brilantn\u00ed perspektiva a zvl\u00e1\u0161tn\u00ed odcizen\u00e9 osv\u011btlen\u00ed.            Prakticky v\u00fdhradn\u011b renesan\u010dn\u00ed a klasicistn\u00ed architektura. To v\u0161e            p\u0159in\u00e1\u0161\u00ed nev\u0161edn\u00ed, zaj\u00edmav\u00fd a poutav\u00fd pohled do autorov\u00fdch viz\u00ed. I kdy\u017e            je ka\u017ed\u00fd obraz znovu a znovu m\u011bstem a domy, \u010dlov\u011bk je chce vid\u011bt            v\u0161echny, v\u0161echny ty nekone\u010dn\u00e9 variace a mo\u017enosti. Zvl\u00e1\u0161tn\u00ed melancholie            a atmosf\u00e9ra \u0159ad\u00ed tento druh um\u011bn\u00ed pr\u00e1v\u011b do oblast\u00ed, kter\u00fdmi se zab\u00fdv\u00e1            DarkArt. Dokl\u00e1d\u00e1, \u017ee darkart nen\u00ed hromada lebek, nebo pla\u010d\u00edc\u00ed and\u011bl na            h\u0159bitov\u011b, jak se bohu\u017eel myln\u011b mnoho lid\u00ed domn\u00edv\u00e1. Stefan si vysta\u010d\u00ed s            architekturou a m\u011bstem, bez figur, bez barev a dok\u00e1\u017ee z t\u011bchto            ingredienc\u00ed vytvo\u0159it velice zaj\u00edmav\u00fd sv\u011bt, kter\u00fd l\u00e1k\u00e1 k prozkoum\u00e1n\u00ed.<\/p>\n<p style=\"text-align: justify;\"><!-- default-view.php -->\n<div\n\tclass=\"ngg-galleryoverview default-view  ngg-ajax-pagination-none\"\n\tid=\"ngg-gallery-461077edc53b92e506f49beb61dc1fe7-1\">\n\n\t\t<!-- Thumbnails -->\n\t\t\t\t<div id=\"ngg-image-0\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Airport%20-%20Frankfurt%20-%20Delta.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Airport%20-%20Frankfurt%20-%20Delta.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Airport%20-%20Frankfurt%20-%20Delta.jpg\"\n               data-image-id=\"79\"\n               data-title=\"Airport - Frankfurt - Delta\"\n               data-description=\"\"\n               data-image-slug=\"airport-frankfurt-delta\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Airport - Frankfurt - Delta\"\n                    alt=\"Airport - Frankfurt - Delta\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Airport%20-%20Frankfurt%20-%20Delta.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-1\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Der%20Hausdamon.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Der%20Hausdamon.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Der%20Hausdamon.jpg\"\n               data-image-id=\"80\"\n               data-title=\"Der Hausdamon\"\n               data-description=\"\"\n               data-image-slug=\"der-hausdamon\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Der Hausdamon\"\n                    alt=\"Der Hausdamon\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Der%20Hausdamon.jpg\"\n                    width=\"97\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-2\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Fountain%20Abbey.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Fountain%20Abbey.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Fountain%20Abbey.jpg\"\n               data-image-id=\"81\"\n               data-title=\"Fountain Abbey\"\n               data-description=\"\"\n               data-image-slug=\"fountain-abbey\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Fountain Abbey\"\n                    alt=\"Fountain Abbey\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Fountain%20Abbey.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-3\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Portrait%20de%20Romana%20de%20la%20Salle.gif\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Portrait%20de%20Romana%20de%20la%20Salle.gif\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Portrait%20de%20Romana%20de%20la%20Salle.gif\"\n               data-image-id=\"82\"\n               data-title=\"Portrait de Romana de la Salle\"\n               data-description=\"\"\n               data-image-slug=\"portrait-de-romana-de-la-salle\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Portrait de Romana de la Salle\"\n                    alt=\"Portrait de Romana de la Salle\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Portrait%20de%20Romana%20de%20la%20Salle.gif\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-4\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Rehe%20im%20Wald.gif\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Rehe%20im%20Wald.gif\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Rehe%20im%20Wald.gif\"\n               data-image-id=\"83\"\n               data-title=\"Rehe im Wald\"\n               data-description=\"\"\n               data-image-slug=\"rehe-im-wald\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Rehe im Wald\"\n                    alt=\"Rehe im Wald\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Rehe%20im%20Wald.gif\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-5\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Rueckstaubgasse.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Rueckstaubgasse.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Rueckstaubgasse.jpg\"\n               data-image-id=\"84\"\n               data-title=\"Rueckstaubgasse\"\n               data-description=\"\"\n               data-image-slug=\"rueckstaubgasse\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Rueckstaubgasse\"\n                    alt=\"Rueckstaubgasse\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Rueckstaubgasse.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-6\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Tempietto%20Farmesina.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Tempietto%20Farmesina.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Tempietto%20Farmesina.jpg\"\n               data-image-id=\"85\"\n               data-title=\"Tempietto Farmesina\"\n               data-description=\"\"\n               data-image-slug=\"tempietto-farmesina\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Tempietto Farmesina\"\n                    alt=\"Tempietto Farmesina\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Tempietto%20Farmesina.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-7\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Via%20Subalterna.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Via%20Subalterna.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Via%20Subalterna.jpg\"\n               data-image-id=\"86\"\n               data-title=\"Via Subalterna\"\n               data-description=\"\"\n               data-image-slug=\"via-subalterna\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Via Subalterna\"\n                    alt=\"Via Subalterna\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Via%20Subalterna.jpg\"\n                    width=\"94\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-8\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Via%20Volterra%2042-2.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Via%20Volterra%2042-2.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Via%20Volterra%2042-2.jpg\"\n               data-image-id=\"87\"\n               data-title=\"Via Volterra 42-2\"\n               data-description=\"\"\n               data-image-slug=\"via-volterra-42-2\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Via Volterra 42-2\"\n                    alt=\"Via Volterra 42-2\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Via%20Volterra%2042-2.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-9\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/West%20End%20of%20Canale%20Mollier.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/West%20End%20of%20Canale%20Mollier.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_West%20End%20of%20Canale%20Mollier.jpg\"\n               data-image-id=\"88\"\n               data-title=\"West End of Canale Mollier\"\n               data-description=\"\"\n               data-image-slug=\"west-end-of-canale-mollier\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"West End of Canale Mollier\"\n                    alt=\"West End of Canale Mollier\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_West%20End%20of%20Canale%20Mollier.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-10\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Winner%20of%20the%20Isabel%20Rawsthorne%20Competition%20-%20Das%20Gummipferd.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/Winner%20of%20the%20Isabel%20Rawsthorne%20Competition%20-%20Das%20Gummipferd.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Winner%20of%20the%20Isabel%20Rawsthorne%20Competition%20-%20Das%20Gummipferd.jpg\"\n               data-image-id=\"89\"\n               data-title=\"Winner of the Isabel Rawsthorne Competition - Das Gummipferd\"\n               data-description=\"\"\n               data-image-slug=\"winner-of-the-isabel-rawsthorne-competition-das-gummipferd\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"Winner of the Isabel Rawsthorne Competition - Das Gummipferd\"\n                    alt=\"Winner of the Isabel Rawsthorne Competition - Das Gummipferd\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_Winner%20of%20the%20Isabel%20Rawsthorne%20Competition%20-%20Das%20Gummipferd.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-11\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/18.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/18.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_18.jpg\"\n               data-image-id=\"90\"\n               data-title=\"18\"\n               data-description=\"\"\n               data-image-slug=\"image\"\n               class=\"ngg-fancybox\" rel=\"461077edc53b92e506f49beb61dc1fe7\">\n                <img\n                    title=\"18\"\n                    alt=\"18\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/hoenerloh\/thumbs\/thumbs_18.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\n\t<br style=\"clear: both\" \/>\n\n\t\n\t\t<!-- Pagination -->\n\t<div class='ngg-clear'><\/div>\t<\/div>\n\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\">\n<div style=\"text-align: center;\"><\/div>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong> O\u010di up\u0159en\u00e9 do nezn\u00e1ma<br \/>\n<\/strong>Gerhard Charles Rump (redakce um\u011bleck\u00e9ho trhu \u2013 pozn. p\u0159ekl.)<br \/>\nO obrazech Stefana Hoenerloha<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Spole\u010densky organizovan\u00ed tvorov\u00e9 inklinuj\u00ed            k budov\u00e1n\u00ed velk\u00fdch staveb k obecn\u00e9mu u\u017e\u00edv\u00e1n\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">A architektura, stvo\u0159en\u00e1 \u010dlov\u011bkem, m\u00e1            nejv\u011bt\u0161\u00ed mno\u017estv\u00ed aspekt\u016f, je\u017e sahaj\u00ed za hranice \u010dist\u00e9ho u\u017eitku.            Nap\u0159\u00edklad estetick\u00e9 a tak\u00e9 symbolick\u00e9. Kone\u010dn\u011b, nejpozd\u011bji od dob            v\u00fdzkum\u016f G\u00fcntera Bandmanna v\u00edme, \u017ee katedr\u00e1ly jsou mimo jin\u00e9 obrazem            nebesk\u00e9ho Jeruzal\u00e9ma.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Nap\u0159\u00edklad vily jsou v\u00fdrazem vkusu a            pochopen\u00ed sebe sama jejich budovatel\u016f. A m\u011bstsk\u00e1 architektura odr\u00e1\u017e\u00ed            zvyky a je\u0161t\u011b v\u00edce pak: zlozvyky spole\u010dnosti, kter\u00e9 si sama udr\u017euje.            To v\u0161e pak plat\u00ed je\u0161t\u011b v daleko koncentrovan\u011bj\u0161\u00ed m\u00ed\u0159e, pokud je            architektura n\u00e1m\u011btem jin\u00e9ho um\u011bn\u00ed \u2013 malby. Kdy\u017e se st\u00e1v\u00e1 architektura            n\u00e1m\u011btem mal\u00ed\u0159stv\u00ed, jako v p\u0159\u00edpad\u011b Stefana Hoenerloha, mus\u00ed b\u00fdt            po\u010d\u00edt\u00e1no je\u0161t\u011b s n\u011b\u010d\u00edm v\u00edc, ne\u017e jen s interpretac\u00ed architektonick\u00fdch            idej\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><img class=\"attachment wp-att-242 alignleft\" style=\"margin-right: 10px; float: left;\" src=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/stefan_portrait.jpg\" alt=\"stefan_portrait\" \/> Stefan Hoenerloh je v\u00fdjime\u010dn\u00fd mal\u00ed\u0159 \u2013            modern\u00ed, av\u0161ak s perfektn\u00ed starou mistrovskou technikou, kter\u00e1 m\u016f\u017ee            d\u00e1t vznik \u010demukoli jen chce a tak\u00e9 m\u016f\u017ee pouk\u00e1zat na cokoli jen chce.            Velk\u00e9 t\u00e9ma Stefana Hoenerloha je architektura, zbudovan\u00e9 m\u011bsto. Ale            pouze ve v\u00fd\u0159ezu. Netvo\u0159\u00ed \u017e\u00e1dn\u00e1 panoramata jako vizi minul\u00e9, p\u0159\u00edtomn\u00e9,            \u010di budouc\u00ed urbanistiky. V\u00fd\u0159ez stoj\u00ed v centru, tak jako my sami, kdy\u017e            proch\u00e1zej\u00edce m\u011bstem vst\u0159eb\u00e1v\u00e1me pouh\u00e9 v\u00fd\u0159ezy. Pozn\u00e1v\u00e1me je znova, ony            architektury, kter\u00e9 Stefan Hoenerloh v mnoha vrstv\u00e1ch lazuruj\u00edc\u00ed            zakl\u00edn\u00e1 do sv\u00fdch obraz\u016f. A p\u0159ece jsme sedli na lep klamu. P\u0159ece, to            d\u00edky vykreslen\u00ed detailu a zachycen\u00ed patiny jednotliv\u00fdch staveb: Ve            skute\u010dnosti neexistuj\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Hoenerloh nen\u00ed \u017e\u00e1dn\u00fd ben\u00e1tsk\u00fd, marseillsk\u00fd            nebo salamanck\u00fd turista se \u0161t\u011btcem m\u00edsto kamery. P\u0159esto\u017ee mohou            prot\u00ednaj\u00edc\u00ed se linie v obrazech vyvolat na prvn\u00ed pohled dojem, \u017ee se            jedn\u00e1 o fotografie, nebo obrazy malovan\u00e9 podle fotografi\u00ed. Jeho            namalovan\u00e9 stavby jsou pouhou fikc\u00ed. Nenach\u00e1zej\u00ed se krom jeho obraz\u016f            nikde. A proto je mo\u017en\u00e9 je naj\u00edt v\u0161ude. T\u00edm, \u017ee ztv\u00e1r\u0148uj\u00ed ideu            stoj\u00edc\u00edho m\u011bsta, mimo hranice stavitelsk\u00fdch omezen\u00ed, kterou vykazuje            re\u00e1ln\u00e1 architektura, m\u016f\u017ee jeho \u201em\u011bsto\u201c hovo\u0159it v\u00edce a o jin\u00fdch v\u011bcech            ne\u017e skute\u010dn\u00e9 stavby, kter\u00e9 v\u00edd\u00e1me p\u0159es roh nebo u vzd\u00e1len\u00e9 Newy.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Hoenerlohovy stavby n\u00e1m tak\u00e9 ned\u00e1vaj\u00ed            rychlokurs nap\u0159\u00ed\u010d histori\u00ed styl\u016f. Slu\u010duj\u00ed m\u011bstsk\u00fd architektonick\u00fd styl            a architektonickou dekoraci mezi renesanc\u00ed a klasicismem a jejich neo-formami,            bez toho, aby byly zap\u0159\u00eds\u00e1hl\u00e9 k jejich z\u00e1kladn\u00edm koncept\u016fm. Je to            vnit\u0159n\u00ed logick\u00e1 shoda \u2013 vzd\u00e1vat se zn\u00e1zorn\u011bn\u00ed re\u00e1ln\u00e9 architektury.<\/p>\n<p style=\"text-align: justify;\">Z t\u00e9to dvojit\u00e9 fikce            \u010derpaj\u00ed s\u00edlu, kterou p\u016fsob\u00ed na pozorovatele, nez\u00e1visle na jeho            \u017eivotn\u00edch zku\u0161enostech, v\u011bku, pohlav\u00ed, nebo soci\u00e1ln\u00edm postaven\u00ed.            Nez\u00e1visle na tom, jak toto pozad\u00ed spolu ovliv\u0148uje vztah pozorovatele            k Hoenerlohov\u00fdm obraz\u016fm, je j\u00e1dro univerz\u00e1ln\u00ed, nad smyslov\u00fdm dojmem,            nad vizu\u00e1ln\u00ed zku\u0161enost\u00ed.<\/p>\n<p style=\"text-align: justify;\">P\u0159edev\u0161\u00edm je tu velikost. I kdy\u017e Hoenerlohovy obrazy nejsou bezpodm\u00edne\u010dn\u011b vyvedeny v monument\u00e1ln\u00edch dimenz\u00edch, je p\u0159eci jen monument\u00e1lnost jeho stavb\u00e1m vlastn\u00ed. To spo\u010d\u00edv\u00e1 v motivech malby, jednak nemaluje \u017e\u00e1dn\u00e9 chaloupky, ale velkostavby o mnoha poschod\u00edch, kter\u00e9 z\u0159\u00eddkakdy vid\u00edme cel\u00e9, ale v\u011bt\u0161inou p\u0159esn\u011b v onom podhledu, kde se sb\u00edhaj\u00ed linie, kter\u00e9 podtrhuj\u00ed na\u0161i malost oproti velikosti budov. Sv\u011bd\u010d\u00ed o v\u016fli, moci, tradici, kter\u00e1 vych\u00e1z\u00ed nad r\u00e1mec na\u0161ich prost\u0159edk\u016f a n\u00e1s samotn\u00fdch, kter\u00e1 je spole\u010densk\u00e1 a t\u00edm nadindividu\u00e1ln\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Do t\u00e9 m\u00edry je pravdou, \u017ee Hoenerloh            up\u0159ednost\u0148uje \u201eklasick\u00e9\u201c formy, m\u00edsto individualistick\u00fdch modern\u00edch.            Kolektivistick\u00e1 moderna z\u016fst\u00e1v\u00e1, proto\u017ee sk\u00fdt\u00e1 m\u00e9n\u011b dr\u00e1\u017ed\u011bn\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Dost\u00e1v\u00e1 pozorovatele do vztahu s t\u011bmito            velk\u00fdmi komplexy, kter\u00e9 definuj\u00ed jeho nebo jej\u00ed pozici ve vztahu            k nim, kter\u00e9 cht\u011bj\u00ed probudit nejprve vlastn\u00ed vnit\u0159n\u00ed sv\u011bt my\u0161lenek a            emoc\u00ed, za \u00fa\u010delem probudit \u017eivot v t\u011bchto namalovan\u00fdch sv\u011btech.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">A pak je tu pr\u00e1zdnota. \u017d\u00e1dn\u00ed lid\u00e9 \u2013 tak\u00e9            \u017e\u00e1dn\u00e1 zv\u00ed\u0159ata ani rostliny nejsou k vid\u011bn\u00ed a neob\u00fdvaj\u00ed Hoenerlohovy            domy. Ka\u017edop\u00e1dn\u011b \u017e\u00e1dn\u00e9, kter\u00e9 m\u016f\u017eeme vid\u011bt. Stavby p\u0159esto nep\u016fsob\u00ed            neobydlen\u011b. Existuj\u00ed, i kdy\u017e jemn\u00e9, n\u00e1znaky obydlenosti. A kdy\u017e je to            pozorovatel, kter\u00fd stimuluje sv\u00e9 citov\u00e9 nebo my\u0161lenkov\u00e9 sv\u011bty, pak je            to i on, kdo stavby ob\u00fdv\u00e1. Nebo jeho p\u0159\u00e1tel\u00e9, zn\u00e1m\u00ed, p\u0159\u00edbuzn\u00ed, kter\u00e9            nav\u0161t\u011bvuje, kdy\u017e sv\u00fdma o\u010dima vstoup\u00ed do Hoenerlohov\u00fdch obraz\u016f.            P\u0159inejmen\u0161\u00edm by to mohli b\u00fdt jeho zn\u00e1m\u00ed.<\/p>\n<p style=\"text-align: justify;\">Otev\u00edr\u00e1 se tu v\u0161ak i jin\u00e1 mo\u017enost. Pozorovatel m\u016f\u017ee b\u00fdt tak\u00e9 v nezn\u00e1mu            div\u00e1kem &#8211; turistou, kter\u00fd najednou zahne za roh a m\u00e1 p\u0159ed sebou            pohled, kter\u00fd se mu je\u0161t\u011b nikdy nenaskytl nebo alespo\u0148 ne takto. Je to            z\u00e1\u017eitek, kter\u00fd je zn\u00e1m\u00fd ka\u017ed\u00e9mu, kter\u00fd m\u011bli ji\u017e mnoz\u00ed: P\u0159i bloum\u00e1n\u00ed            ciz\u00edm m\u011bstem vid\u00edme najednou n\u011bco, co se n\u00e1m zd\u00e1 zn\u00e1m\u00e9, n\u011bco co u\u017e            jsme n\u011bkdy vid\u011bli. Mo\u017en\u00e1 v minul\u00e9m \u017eivot\u011b. Ale p\u0159ece jen to nen\u00ed d\u00e9j\u00e0-vu,            proto\u017ee ve skute\u010dnosti je n\u00e1m to nezn\u00e1m\u00e9. A tak jsou Hoenerlohovy            obrazy t\u00e9m\u011b\u0159 d\u00e9j\u00e0-vu, t\u00e9m\u011b\u0159-zn\u00e1m\u00e9. Z t\u00e9to nejistoty, z tohoto nap\u011bt\u00ed            mezi minul\u00fdm a mo\u017en\u00fdm vznik\u00e1 velk\u00e9 kouzlo.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">M\u00e1me tu tak\u00e9 \u010das.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Proto\u017ee domy na obrazech jsou star\u00e9, zub            \u010dasu je na nich zn\u00e1t, jsou pokryt\u00e9 prachem stalet\u00ed, fas\u00e1da je omyt\u00e1            stovkami prob\u011bhl\u00fdch podzimn\u00edch de\u0161\u0165\u016f, napadnut\u00e1 rozmary po\u010das\u00ed po            bezpo\u010det let. Patina, \u0161pinav\u00e1 a z\u00e1rove\u0148 vzne\u0161en\u00e1, poukazuje na            d\u016fstojnost st\u00e1\u0159\u00ed (a co m\u00e1 st\u00e1\u0159\u00ed snad nejsp\u00ed\u0161, krom d\u016fstojnosti?).            Ukazuj\u00ed, \u017ee jsou tu d\u00e9le ne\u017e my (pozorovatel\u00e9) tu kdy v\u016fbec budeme.            Jsou  v\u016f\u010di n\u00e1m v p\u0159evaze. A vypr\u00e1v\u011bj\u00ed o \u010dasu.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u010cas je nesl\u00fdchanou fascinac\u00ed. Ani fyzika,            nejsp\u00ed\u0161e nejpokro\u010dilej\u0161\u00ed ze v\u0161ech v\u011bd si nedok\u00e1\u017ee poradit. V\u011b\u0159\u00ed, \u017ee je            relativn\u00ed, a \u017ee je mo\u017en\u00e9 ho rychlost\u00ed prodlou\u017eit. A tak se fyzika            projev\u00ed jako omezen\u00e1, nebo\u0165 nedovede skrze sv\u00e9 prost\u0159edky pochopit, \u017ee            m\u011b\u0159\u00ed pouze efekty, kter\u00e9 p\u016fsob\u00ed na \u010dasom\u00edru (jeliko\u017e jsou mat\u00e9ri\u00ed).            \u010cas je absolutn\u00ed. Plyne neust\u00e1le, nekone\u010dn\u00fd proud, bez za\u010d\u00e1tku a            konce. V\u017edy existoval a existovat bude. Nen\u00ed mo\u017en\u00e9 v n\u011bm cestovat jako            v prostoru. Co bylo, nezvratn\u011b uplynulo, co bude, nev\u00ed nikdo. I kdyby            existovala vesm\u00edrn\u00e1 lo\u010f, kter\u00e1 by let\u011bla rychleji ne\u017e \u010das \u2013 do            budoucnosti by se dostat nemohla, proto\u017ee ta se je\u0161t\u011b nestala a            z minulosti by mohla zachytit pouze p\u00e1r sv\u011bteln\u00fdch paprsk\u016f. I sv\u011btlo            podl\u00e9h\u00e1 Druh\u00e9 hlavn\u00ed v\u011bt\u011b termodynamiky : Rozpl\u00fdv\u00e1 se v nerozplynuteln\u00e9m            chaosu.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" class=\"attachment wp-att-241 centered\" src=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/stefan_hoenerloh.jpg\" alt=\"stefan_hoenerloh\" width=\"450\" height=\"332\" \/><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Toto v\u0161e nah\u00e1n\u00ed strach. Stefanu            Honerlohovi to nah\u00e1n\u00ed strach. A tak se pokou\u0161\u00ed, jak heroicky, tak            zbyte\u010dn\u011b, v\u0161e zastavit, stvo\u0159it ostrovy v proudu \u010dasu, kter\u00e9 nebudou            strhnuty s sebou. To samoz\u0159ejm\u011b nen\u00ed mo\u017en\u00e9 a pozorovatel, kter\u00e9ho \u010din\u00ed            \u00fa\u010dastn\u00edkem na sv\u00e9m strachu z \u010dasu, to c\u00edt\u00ed. Domy vypr\u00e1v\u011bj\u00ed o \u010dase, o            \u010dase, kter\u00fd minul. To bude nejsp\u00ed\u0161e to, co na star\u00fdch zdech obdivujeme            \u2013 bezpo\u010det nitek \u017eivota, kter\u00e9 se u nich odv\u00edjely, tis\u00edcer\u00e9 d\u00e1vno            ztracen\u00e9 v\u00fdk\u0159iky radosti, v\u00e1\u0161n\u011b a p\u0159\u00e1telstv\u00ed, nekone\u010dn\u011b vzd\u00e1len\u00e9 echo            tich\u00e9ho pl\u00e1\u010de d\u00edvky, kter\u00e1 p\u0159ed kamenn\u00fdmi zdmi byla docela nesly\u0161n\u011b            odvr\u017eena, starostliv\u00e9 vdechy matek, kter\u00e9 pohltily d\u0159ev\u011bn\u00e9 tr\u00e1my            strop\u016f, zloba opil\u00fdch mu\u017e\u016f, kter\u00e1 pronikla a\u017e z hlubok\u00fdch okenn\u00edch            nitek nahoru k okn\u016fm ven, cupit\u00e1n\u00ed a dup\u00e1n\u00ed p\u0159ede\u0161l\u00fdch generac\u00ed, kter\u00e9            budeme jednou n\u00e1sledovat \u2013 a melancholie, kter\u00e1 tv\u00e1\u0159\u00ed v tv\u00e1\u0159 st\u00e1\u0159\u00ed            nen\u00ed nic jin\u00e9ho ne\u017e zapouzd\u0159en\u00fd smutek v\u011bdom\u00ed z vlastn\u00ed smrti.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Kdy\u017e Stefan Hoenerloh maluje ty star\u00e9 zdi,            za\u0159\u00edk\u00e1v\u00e1 sv\u00e9 d\u00e9mony. Ka\u017ed\u00fd obraz je sv\u00ed\u010dkou v za\u0159\u00edk\u00e1vac\u00edm kruhu. Ka\u017ed\u00fd            tah \u0161t\u011btcem je zakl\u00ednadlem. A Hoenerloh se p\u0159itom soust\u0159ed\u00ed na domy,            nebo\u0165 tam se na nebi ned\u011bje \u017e\u00e1dn\u00e1 dramatizuj\u00edc\u00ed hra oblak\u016f. To z\u016fst\u00e1v\u00e1            neproniknuteln\u011b zata\u017een\u00e9, v pozad\u00ed, nanejv\u00fd\u0161e pr\u016fsvitka expresivn\u00edch            st\u0159e\u0161n\u00edch lini\u00ed, nej\u010dast\u011bji zdrojem sv\u011btla pro tak\u0159ka k\u0159ehk\u00e9,            rovnom\u011brn\u00e9 sv\u011btlo d\u00edla, kter\u00e9 pozorovatele jemn\u011b strh\u00e1v\u00e1 do obrazu,            jako star\u00fd p\u0159\u00edtel, kter\u00fd mu opatrn\u011b pokl\u00e1d\u00e1 ruku na rameno.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">A jsme\u2013li v prostoru obraz\u016f, pak vid\u00edme            detaily, kter\u00e9 z\u00e1\u017eitek obohacuj\u00ed. Nach\u00e1zej\u00ed se tam prostory, kter\u00e9            nem\u016f\u017eeme ob\u00fdvat, i kdy\u017e to zpo\u010d\u00e1tku m\u016f\u017ee budit toto zd\u00e1n\u00ed. Ve velk\u00fdch            \u010d\u00e1stech budov, kter\u00e9 nemaj\u00ed \u017e\u00e1dn\u00e9 pokoje, p\u0159esto\u017ee se tam zd\u00e1ly b\u00fdt.            Vid\u00edme vyv\u00e1\u017een\u00e9 p\u00e1ry protiklad\u016f, schodi\u0161t\u011b vedouc\u00ed nahoru i dol\u016f,            mosty vzdech\u016f, kter\u00e9 spojuj\u00ed zd\u00e1nliv\u011b nesouvisej\u00edc\u00ed. To vede k bohat\u00e9            av\u0161ak paradoxn\u00ed zku\u0161enosti z architektury skrze m\u00e9dium mal\u00ed\u0159stv\u00ed,            nebo\u0165 teprve v mal\u00ed\u0159stv\u00ed se st\u00e1v\u00e1 z\u0159eteln\u00fdm, co m\u016f\u017ee b\u00fdt architekturou            a co naopak ne. A ukazuje n\u00e1m skrze sama sebe, jak\u00e9 m\u016f\u017ee nab\u00eddnout            poznatky, pro mal\u00ed\u0159e i pozorovatele. Tak se stane symbolickou            konkretizac\u00ed zku\u0161enosti sv\u011bta.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Vzorky v patin\u011b, p\u016fsob\u00edc\u00ed jako tit\u011brn\u00e9            archivy hmotn\u00e9ho rozpadu, kter\u00e9 se daj\u00ed p\u0159i bli\u017e\u0161\u00edm pohledu zn\u00e1t jako            autonomn\u00ed estetick\u00e9 vzory, s d\u016frazem na sv\u00e9bytn\u00fd \u017eivot v souvislosti            s mal\u00ed\u0159sk\u00fdm proveden\u00edm obrazu. Proto\u017ee to jsou obrazy Stefana            Hoenerloha v\u017edy: Mal\u00ed\u0159stv\u00ed, kter\u00e9 se jako takov\u00e9 ukazuje.<\/p>\n<p style=\"text-align: right;\">p\u0159elo\u017eila: Bunny<\/p>\n<p align=\"left\">D\u011bkuji Stefanovi za            svolen\u00ed k u\u017eit\u00ed textu i reprodukc\u00ed jeho obraz\u016f.<span style=\"font-family: Arial; font-size: x-small;\"> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>www.hoenerloh.de Narozen v \u0161edes\u00e1t\u00fdch letech v N\u011bmecku, nyn\u00ed \u017eije v Berl\u00edn\u011b M\u011bsto, m\u011bsto, m\u011bsto&#8230; T\u00e9ma, kter\u00e9 si \u0159ada autor\u016f zvolila pro sv\u00e9 pr\u00e1ce. Ka\u017ed\u00fd po sv\u00e9m, ka\u017ed\u00fd jinou technikou. Stefan Hoenerloh maluje tak\u00e9 m\u011bsto, ale zp\u016fsobem, kter\u00fd v\u00e1s nenech\u00e1 vydechnout, abyste neporu\u0161ili nekone\u010dn\u00e9 ticho a t\u00edsnivou atmosf\u00e9ru, kter\u00e1 v\u00e1s z jeho velkoform\u00e1tov\u00fdch obraz\u016f zas\u00e1hne. Jeho [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":7,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/207"}],"collection":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=207"}],"version-history":[{"count":0,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/207\/revisions"}],"wp:attachment":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=207"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}