{"id":249,"date":"2008-05-08T15:39:34","date_gmt":"2008-05-08T13:39:34","guid":{"rendered":"http:\/\/www.darkart.cz\/?page_id=249"},"modified":"2008-05-08T21:32:33","modified_gmt":"2008-05-08T19:32:33","slug":"zdzislaw-beksinski","status":"publish","type":"page","link":"https:\/\/darkart.cz\/?page_id=249","title":{"rendered":"Zdzislaw Beksinski"},"content":{"rendered":"<p style=\"text-align: justify;\"><a href=\"http:\/\/www.beksinski.pl\" target=\"_blank\"><img loading=\"lazy\" class=\"attachment wp-att-268 alignleft\" style=\"float: left; margin-right: 10px;\" src=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/head_beksinski.jpg\" alt=\"head_beksinski\" width=\"120\" height=\"120\" \/>www.beksinski.pl<\/a><\/p>\n<p style=\"text-align: justify;\"><strong>Narozen 24. \u00fanora 1929 v Sanoku, Polsko<\/strong><\/p>\n<p style=\"text-align: justify;\">V letech 1947 &#8211; 1952 studoval            architekturu na Krakowsk\u00e9 polytechnick\u00e9 \u0161kole. Byl nucen pracovat jako            architekt v n\u011bkolika m\u011bstech. V t\u00e9 dob\u011b se za\u010dal zaj\u00edmat o um\u011bleckou            fotografii, kombinovanou s prvn\u00edmi snahami o kresbu a malbu. V roce            1955 se vr\u00e1til do sv\u00e9ho rodn\u00e9ho m\u011bsta Sanoku. Krom\u011b fotografie se            v\u011bnoval malb\u011b, socha\u0159stv\u00ed a kreslen\u00ed. V roce 1958 vystavoval sv\u00e9 pr\u00e1ce            ve Var\u0161av\u011b, Gliwici a v Pozna\u0144i. V roce 1964 zorganizoval svou prvn\u00ed            velkou one-man show, kterou podpo\u0159il Janusz Bogucki. V \u0161edes\u00e1ti se            p\u0159esunul ke koncentrovan\u00e9 abstraktn\u00ed malb\u011b a kresb\u011b. Pozd\u011bji nazval            toto obdob\u00ed (od pozdn\u00edch \u0161edes\u00e1ti do po\u010d\u00ednaj\u00edc\u00edch osmdes\u00e1ti) svou            &#8220;fantastickou&#8221; periodou. V roce 1977 se p\u0159est\u011bhoval z Sanoku do            Var\u0161avy. Beksinski se dostal do kontaktu s Piotrem Dmochowskim,            um\u011bleck\u00fdm agentem z Pa\u0159\u00ed\u017ee. Vystavoval ve Francii, N\u011bmecku a hlavn\u011b v            zaj\u00edmav\u00fdch um\u011bleck\u00fdch centrech Polska. V roce 1999 zorganizovalo            Historick\u00e9 muzeum v Sanoku Beksinsk\u00e9ho v\u00fdstavu &#8220;Uzav\u0159en\u00e1            retrospektivn\u00ed v\u00fdstava&#8221;. Muzeum vlastn\u00ed nejlep\u0161\u00ed sb\u00edrku autorov\u00fdch            prac\u00ed.<\/p>\n<p style=\"text-align: justify;\">Mnoho jeho prac\u00ed je poznamen\u00e1no vlivem st\u00edn\u016f doby po druh\u00e9 sv\u011btov\u00e9            v\u00e1lce, i trag\u00e9di\u00ed jeho rodiny a reflektuj\u00ed nejtemn\u011bj\u0161\u00ed str\u00e1nky lidsk\u00e9 du\u0161e.            V posledn\u00ed dob\u011b maloval ve Var\u0161av\u011b za neust\u00e1l\u00e9ho zvuku klasick\u00e9 hudby. Zdzislaw Beksinski byl 23. \u00fanora 2005 zavra\u017ed\u011bn ve sv\u00e9m byt\u011b ve Var\u0161av\u011b.<\/p>\n<p style=\"text-align: justify;\"><a title=\"2811612017\" rel=\"lightbox[pics249]\" href=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/2811612017.jpg\"><img loading=\"lazy\" class=\"attachment wp-att-269 alignleft\" style=\"float: left; margin-right: 10px;\" src=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/2811612017.thumbnail.jpg\" alt=\"Beksinski\" width=\"200\" height=\"261\" \/><\/a>O            tomto bezpochyby geni\u00e1ln\u00edm autorovi jsem se dozv\u011bd\u011bl  opravdu n\u00e1hodou            (jako obvykle). P\u0159i sv\u00e9 snaze shrom\u00e1\u017edit v\u0161echna existuj\u00edc\u00ed            d\u00edla H.R. Gigera v digit\u00e1ln\u00ed podob\u011b, jsem narazil v Morpheus Galerii na zm\u00ednku o jak\u00e9msi            Zdzislawu Beksinsk\u00e9m. H.R. Giger o n\u011bm prohl\u00e1sil, \u017ee jeho            obrazy jsou jako n\u011bco, co je\u0161t\u011b nikdy nevid\u011bl. (doslova: &#8220;Beksinski&#8217;s powerfully            unique paintings are such as I have never before seen&#8221;). U\u017e proto jsem            se za\u010dal o tohoto tajemn\u00e9ho Pol\u00e1ka zaj\u00edmat. Je pravdou, \u017ee je Web            ohledn\u011b informac\u00ed o n\u011bm pom\u011brn\u011b skoup\u00fd. Ale i p\u0159es to v\u0161echno se mi            poda\u0159ilo sehnat n\u011bjak\u00e9 obr\u00e1zky a informace. Mus\u00edm \u0159\u00edct, \u017ee m\u011b jeho            malba ohromila. M\u00e1 podobn\u00fd smysl pro katabolismus jako Giger, ale to,            jak to v\u0161echno ztv\u00e1r\u0148uje je nep\u0159ekonateln\u00e9. Giger maluje v 90% v            podstat\u011b dvojrozm\u011brn\u011b; jeho obrazy postr\u00e1daj\u00ed v\u011bt\u0161inou hloubku nebo            perspektivu. Beksinski je p\u0159esn\u00fdm opakem; pokud jde o jeho objekty, je            perspektiva a atmosf\u00e9ra uchvacuj\u00edc\u00ed. Jak\u00e9si \u0161ero nebo mlhavo            zahaluj\u00edc\u00ed jeho vzd\u00e1len\u00e9 obrazov\u00e9 partie vynik\u00e1 t\u00edm v\u00edc, \u010d\u00edm n\u00e1padn\u011bji            se z n\u011bho derou a vyno\u0159uj\u00ed objekty, kter\u00e9 svoj\u00ed slo\u017eitost\u00ed zar\u00e1\u017eej\u00ed.            Rovn\u011b\u017e jeho fantazie prostupuje ka\u017ed\u00fdm obrazem tak, \u017ee zn\u011bj tvo\u0159\u00ed            v\u00fdkladov\u00fd celek, ve kter\u00e9m se va\u0161e emoce, n\u00e1lady, city a hloub\u00e1n\u00ed            projev\u00ed poka\u017ed\u00e9 jinak. Jeho let\u00edc\u00ed domy s drol\u00edc\u00edmi se z\u00e1kladnami,            ho\u0159\u00edc\u00ed m\u011bsto v d\u00e1li, jak\u00e1si rozpadaj\u00edc\u00ed se archa ve vln\u00e1ch mo\u0159e,            podivn\u00e9 postavy poskl\u00e1dan\u00e9 z nejr\u016fzn\u011bj\u0161\u00edch charakter\u016f a \u010d\u00e1st\u00ed; to            v\u0161echno ve v\u00e1s bud\u00ed mnoho dojm\u016f, ty obrazy snad ze v\u0161eho nejv\u00edc            p\u0159ipom\u00ednaj\u00ed sny, barevn\u00e9 a bohat\u00e9 vize pln\u00e9 atmosf\u00e9ry a ar\u00f3matu            tajemna. P\u0159ipad\u00e1 mi, \u017ee architektura dala tomuto autorovi mnoh\u00e9, v\u017edy\u0165            pr\u00e1v\u011b perspektiva je to, co na jeho obrazech o\u017eivuje a prohlubuje            fantastickou sc\u00e9nu.<\/p>\n<p style=\"text-align: justify;\">Nav\u0161tivte  str\u00e1nky           <a style=\"text-decoration: none;\" href=\"http:\/\/www.beksinski.pl\/\" target=\"_blank\"> www.beksinski.pl<\/a>, kter\u00e9 u\u017e sta\u010dily vyhr\u00e1t p\u00e1r cen za sv\u00e9            proveden\u00ed&#8230; jestli je na internetu n\u011bco temn\u00e9ho, smutn\u00e9ho a p\u0159itom            dokonale propracovan\u00e9ho, jsou to tyto str\u00e1nky. Skv\u011bl\u00e9 ozvu\u010den\u00ed, hudba,            grafika a perfektn\u00ed flash interface&#8230; rozhodn\u011b stoj\u00ed za shl\u00e9dnut\u00ed!<\/p>\n<p style=\"text-align: justify;\">Mnoho            prac\u00ed tohoto geni\u00e1ln\u00edho Pol\u00e1ka je shrom\u00e1\u017ed\u011bno v Muzeu Ikon v jeho            rodn\u00e9m m\u011bst\u011b           <a style=\"text-decoration: none; font-weight: bold; font-family: Arial; font-size: 10pt;\" href=\"http:\/\/www.sanok.pl\/\" target=\"_blank\">Sanoku<\/a>, kter\u00e9 le\u017e\u00ed v jihov\u00fdchodn\u00edm c\u00edpu Polska. Beksinski muzeu            v\u011bnoval asi 150 obraz\u016f a \u0159adu grafik.<\/p>\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><!-- default-view.php -->\n<div\n\tclass=\"ngg-galleryoverview default-view  ngg-ajax-pagination-none\"\n\tid=\"ngg-gallery-a089440503aa84aba6fd88bc903bbd5d-1\">\n\n\t\t<!-- Thumbnails -->\n\t\t\t\t<div id=\"ngg-image-0\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/0100.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/0100.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_0100.jpg\"\n               data-image-id=\"152\"\n               data-title=\"0100\"\n               data-description=\"\"\n               data-image-slug=\"image-2\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"0100\"\n                    alt=\"0100\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_0100.jpg\"\n                    width=\"90\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-1\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/0101.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/0101.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_0101.jpg\"\n               data-image-id=\"153\"\n               data-title=\"0101\"\n               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href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/76_10000.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/76_10000.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_76_10000.jpg\"\n               data-image-id=\"156\"\n               data-title=\"76_10000\"\n               data-description=\"\"\n               data-image-slug=\"image-6\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"76_10000\"\n                    alt=\"76_10000\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_76_10000.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div 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style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-6\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/78_08000.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/78_08000.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_78_08000.jpg\"\n               data-image-id=\"158\"\n               data-title=\"78_08000\"\n               data-description=\"\"\n               data-image-slug=\"image-8\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"78_08000\"\n                    alt=\"78_08000\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_78_08000.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-7\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/81_14630.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/81_14630.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_81_14630.jpg\"\n               data-image-id=\"159\"\n               data-title=\"81_14630\"\n               data-description=\"\"\n               data-image-slug=\"image-9\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"81_14630\"\n                    alt=\"81_14630\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_81_14630.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-8\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/82_14135.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/82_14135.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_82_14135.jpg\"\n               data-image-id=\"160\"\n               data-title=\"82_14135\"\n               data-description=\"\"\n               data-image-slug=\"image-10\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"82_14135\"\n                    alt=\"82_14135\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_82_14135.jpg\"\n                    width=\"75\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-9\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/88_0180.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/88_0180.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_88_0180.jpg\"\n               data-image-id=\"161\"\n               data-title=\"88_0180\"\n               data-description=\"\"\n               data-image-slug=\"image-11\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"88_0180\"\n                    alt=\"88_0180\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_88_0180.jpg\"\n                    width=\"94\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-10\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201974.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201974.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201974.jpg\"\n               data-image-id=\"162\"\n               data-title=\"Zdzis\u00b3aw Beksi\u00f1ski - 1974\"\n               data-description=\"\"\n               data-image-slug=\"image-12\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"Zdzis\u00b3aw Beksi\u00f1ski - 1974\"\n                    alt=\"Zdzis\u00b3aw Beksi\u00f1ski - 1974\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201974.jpg\"\n                    width=\"\"\n                    height=\"\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-11\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201979%20%283%29.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201979%20%283%29.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201979%20%283%29.jpg\"\n               data-image-id=\"163\"\n               data-title=\"Zdzis\u00b3aw Beksi\u00f1ski - 1979 (3)\"\n               data-description=\"\"\n               data-image-slug=\"image-13\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"Zdzis\u00b3aw Beksi\u00f1ski - 1979 (3)\"\n                    alt=\"Zdzis\u00b3aw Beksi\u00f1ski - 1979 (3)\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201979%20%283%29.jpg\"\n                    width=\"\"\n                    height=\"\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-12\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201984%20%283%29.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201984%20%283%29.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201984%20%283%29.jpg\"\n               data-image-id=\"164\"\n               data-title=\"Zdzis\u00b3aw Beksi\u00f1ski - 1984 (3)\"\n               data-description=\"\"\n               data-image-slug=\"image-14\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"Zdzis\u00b3aw Beksi\u00f1ski - 1984 (3)\"\n                    alt=\"Zdzis\u00b3aw Beksi\u00f1ski - 1984 (3)\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_Zdzis%C2%B3aw%20Beksi%C3%B1ski%20-%201984%20%283%29.jpg\"\n                    width=\"\"\n                    height=\"\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-13\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/zdzislaw_beksinski_006.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/zdzislaw_beksinski_006.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_zdzislaw_beksinski_006.jpg\"\n               data-image-id=\"165\"\n               data-title=\"zdzislaw_beksinski_006\"\n               data-description=\"\"\n               data-image-slug=\"image-15\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"zdzislaw_beksinski_006\"\n                    alt=\"zdzislaw_beksinski_006\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_zdzislaw_beksinski_006.jpg\"\n                    width=\"84\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-14\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/zdzislaw_beksinski_1976.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/zdzislaw_beksinski_1976.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_zdzislaw_beksinski_1976.jpg\"\n               data-image-id=\"166\"\n               data-title=\"zdzislaw_beksinski_1976\"\n               data-description=\"\"\n               data-image-slug=\"image-16\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"zdzislaw_beksinski_1976\"\n                    alt=\"zdzislaw_beksinski_1976\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_zdzislaw_beksinski_1976.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\t\t\t<div id=\"ngg-image-15\" class=\"ngg-gallery-thumbnail-box ngg-4-columns\" >\n\t\t\t\t        <div class=\"ngg-gallery-thumbnail\">\n            <a href=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/zdzislaw_beksinski_1985_11.jpg\"\n               title=\"\"\n               data-src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/zdzislaw_beksinski_1985_11.jpg\"\n               data-thumbnail=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_zdzislaw_beksinski_1985_11.jpg\"\n               data-image-id=\"167\"\n               data-title=\"zdzislaw_beksinski_1985_11\"\n               data-description=\"\"\n               data-image-slug=\"image-17\"\n               class=\"ngg-fancybox\" rel=\"a089440503aa84aba6fd88bc903bbd5d\">\n                <img\n                    title=\"zdzislaw_beksinski_1985_11\"\n                    alt=\"zdzislaw_beksinski_1985_11\"\n                    src=\"https:\/\/darkart.cz\/wp-content\/gallery\/beksinski\/thumbs\/thumbs_zdzislaw_beksinski_1985_11.jpg\"\n                    width=\"100\"\n                    height=\"75\"\n                    style=\"max-width:100%;\"\n                \/>\n            <\/a>\n        <\/div>\n\t\t\t\t\t\t\t<\/div> \n\t\t\t\n\t\n\t<br style=\"clear: both\" \/>\n\n\t\n\t\t<!-- Pagination -->\n\t<div class='ngg-clear'><\/div>\t<\/div>\n\n<p style=\"text-align: justify;\">\n<p style=\"text-align: justify;\"><strong>\u017divotopis Z. Beksinskeho (slovy Piotra Dmochowskiho)<\/strong><\/p>\n<p style=\"text-align: justify;\">Podoben poselstv\u00ed, kter\u00e9 je obsa\u017eeno v jeho d\u00edle, byl i Beksinksi            uzav\u0159en\u00fd a tajemn\u00fd \u010dlov\u011bk. Neobjevoval se na ve\u0159ejnosti a nevystavoval            sv\u00e1 d\u00edla. Neukazoval se ani na vernis\u00e1\u017e\u00edch po\u0159\u00e1dan\u00fdch muzei nebo            sb\u011brateli.<br \/>\nNa sv\u00fdch d\u00edlech pracoval 12 hodin denn\u011b a poslouchal k tomu klasickou            hudbu. V\u017edy maloval na d\u0159evovl\u00e1knitou desku signovanou ze zadn\u00ed strany            a sv\u00e9 obrazy nepojmenov\u00e1val.<br \/>\nNarodil se 24. 2. 1929 v Sanoku, mal\u00e9m m\u011bste\u010dku pobl\u00ed\u017e jihov\u00fdchodn\u00ed            hranice Polska. Jeho otec byl zem\u011bm\u011b\u0159i\u010d, d\u011bde\u010dek stavitel a prad\u011bde\u010dek            Mathieu, revolucion\u00e1\u0159 z roku 1863, zakladatel tov\u00e1rny na vag\u00f3ny.<br \/>\nZa n\u011bmeck\u00e9 okupace Beksinski studoval nejprve na obchodn\u00ed \u0161kole a            pozd\u011bji na tajn\u00e9 vysok\u00e9 \u0161kole. Roku 1947 zapo\u010dal na nal\u00e9h\u00e1n\u00ed sv\u00e9ho            otce studium na Fakult\u011b Architektury D\u016fln\u00ed a Ocel\u00e1rensk\u00e9 Akademie v            Krakow\u011b.<br \/>\nV roce 1951 se o\u017eenil se Sophi\u00ed Stankiewiczovou a o rok pozd\u011bji            studium \u00fasp\u011b\u0161n\u011b ukon\u010dil a byla mu p\u0159id\u011blena pr\u00e1ce supervizora ve            st\u00e1tem \u0159\u00edzen\u00e9m podniku.<br \/>\nA\u010dkoliv maloval od rann\u00e9ho d\u011btstv\u00ed, v\u00e1\u017en\u011b se um\u011bn\u00ed za\u010dal v\u011bnovat a\u017e            roku 1953. V\u011bnoval se i fotografov\u00e1n\u00ed a socha\u0159stv\u00ed a p\u0159ipravoval si            tak cesti\u010dku k \u00faniku z profese, kterou nesn\u00e1\u0161el.<br \/>\nRoku 1958 se narodilo jeho jedin\u00e9 d\u00edt\u011b \u2013 syn Thomas (polsky Tomek) &#8211; a            toho sam\u00e9ho roku se v Poznani konala prvn\u00ed v\u00fdstava jeho plastik,            p\u0159edev\u0161\u00edm abstraktn\u00edch reli\u00e9f\u016f. V t\u00e9 dob\u011b byl \u010dlenem Polsk\u00e9ho svazu            um\u011bleck\u00fdch fotograf\u016f a vystavoval v Polsku i za hranicemi.<br \/>\nRoku 1960 se fotografii p\u0159estal v\u011bnovat a v plastice opustil            avantgardn\u00ed sm\u011br. To bylo mnoh\u00fdmi vn\u00edm\u00e1no jako velezrada, jeliko\u017e jeho            rann\u00e9 pr\u00e1ce vzbuzovaly mezi p\u0159\u00edznivci abstraktn\u00edho um\u011bn\u00ed velk\u00e9 nad\u011bje.            Krok od avantgardy sm\u011brem k fantaskn\u00edmu expresionismu jej v\u0161ak            p\u0159ibl\u00ed\u017eil \u0161ir\u0161\u00edmu publiku. Tento posun byl patrn\u00fd u\u017e b\u011bhem v\u00fdstavy            organizovan\u00e9 man\u017eely Boguck\u00fdmi roku 1972 ve Var\u0161av\u011b. Polemika,            obest\u00edraj\u00edc\u00ed jeho kresby, dostoupila vrcholu roku 1975, kdy byl po            hlasov\u00e1n\u00ed zvolen um\u011bleck\u00fdmi kritiky nejlep\u0161\u00edm polsk\u00fdm mal\u00ed\u0159em za            posledn\u00edch 30 let. Stalo se tak hlavn\u011b d\u00edky n\u011bkter\u00fdm hlasuj\u00edc\u00edm, kte\u0159\u00ed            mu dali t\u00e9m\u011b\u0159 pln\u00fd po\u010det bod\u016f, zat\u00edmco ostatn\u00ed pro n\u011bj odm\u00edtli            hlasovat.<br \/>\nRoku 1977 Beksinski opou\u0161t\u00ed Sanok a st\u011bhuje se do Var\u0161avy \u2013 hledal zde            samotu a izolaci. Um\u011bleck\u00e9 uzn\u00e1n\u00ed, kter\u00e9 z n\u011bj u\u010dinilo celebritu, mu            za\u010dalo b\u00fdt nep\u0159\u00edjemn\u00e9 a doufal, \u017ee v hlavn\u00edm m\u011bst\u011b se ztrat\u00ed v davu.            Odm\u00edtal se \u00fa\u010dastnit ve\u0159ejn\u00fdch vystoupen\u00ed a nep\u0159eb\u00edral ani ceny a            uzn\u00e1n\u00ed. Prakticky p\u0159estal vystavovat a ro\u010dn\u011b p\u0159ij\u00edmal jen jednoho \u010di            dva \u017eurnalisty k interview.<br \/>\nBeksinski byl bezesporu charismasmatickou osobnost\u00ed s hlubokou du\u0161\u00ed.            Nikdy neopustil Polsko, nemluvil ani \u017e\u00e1dnou ciz\u00ed \u0159e\u010d\u00ed a nebyl \u010dlenem            \u017e\u00e1dn\u00e9 ideologick\u00e9 skupiny. Politikou pohrdal.<\/p>\n<p style=\"text-align: justify;\">\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong>P\u0159edstaven\u00ed &#8211;  Piotr            Dmochowski <\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Beksinski sv\u00e9 obrazy tvo\u0159il v\u017edy            v barokn\u00edm a gotick\u00e9m duchu. Alespo\u0148 tak je s\u00e1m pro sebe naz\u00fdval.            Prvn\u00ed je patrn\u00fd v prezentaci jeho d\u00edla, druh\u00fd v jeho form\u011b. Mezi            malbami vytvo\u0159en\u00fdmi v posledn\u00edch p\u011bti letech p\u0159eva\u017euj\u00ed \u010d\u00edm d\u00e1l v\u00edce ty            ovlivn\u011bn\u00e9 gotikou.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Krajiny napln\u011bn\u00e9 sv\u011btlem, postavy            na\u010drtnut\u00e9 s extr\u00e9mn\u00ed preciznost\u00ed i znepokojiv\u00e9 vize budov z Beksinsk\u00e9ho            d\u00edla pomalu miz\u00ed. Nam\u00edsto nich se objevuj\u00ed jen kontury postav nebo            tv\u00e1\u0159e napln\u011bn\u00e9 mozaikou barev. Pozad\u00ed jsou v\u011bt\u0161inou ploch\u00e1, za            siluetami a tv\u00e1\u0159emi nic nenach\u00e1z\u00edme. P\u0159ich\u00e1zej\u00ed z pr\u00e1zdnoty a op\u011bt se            v n\u00ed ztr\u00e1cej\u00ed. Tato d\u00edla jsou extr\u00e9mn\u011b strnul\u00e1 a maloform\u00e1tov\u00e1. Jako            reli\u00e9fy vytvo\u0159en\u00e9 Beksinskim v letech 1958-1960 a jeho rann\u00e9 malby,            jsou i tyto obrazy t\u00e9m\u011b\u0159 abstraktn\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Kdy\u017e jsme sledovali video zachycuj\u00edc\u00ed            Beksinsk\u00e9ho v\u0161edn\u00ed den, nato\u010den\u00e9 um\u011blcem sam\u00fdm, byli jsme udiveni t\u00edm,            \u017ee b\u011bhem prvn\u00edho t\u00fddne tvorby se t\u00e9m\u011b\u0159 nic ned\u011blo. Obraz byl jen velmi            v\u00e1gn\u00ed. Jakmile v\u0161ak um\u011blec narazil na nosnou my\u0161lenku, domaloval jej            b\u011bhem jedin\u00e9ho dne.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Bohu\u017eel Beksinski dok\u00e1\u017ee tvo\u0159it pouze            osamot\u011b, d\u00edky tomu ani nedovolil, aby byly vyfotografov\u00e1ny jednotliv\u00e9            f\u00e1ze tvorby. M\u016f\u017eeme tedy pou\u017e\u00edt jen jeho vlastn\u00ed nahr\u00e1vky, z nich\u017e            poch\u00e1z\u00ed i ti\u0161t\u011bn\u00e9 reprodukce nevaln\u00e9 technick\u00e9 kvality.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Beksinski kolem fixn\u00edho z\u00e1kladu, kter\u00fd je            p\u0159\u00edtomen v ka\u017ed\u00e9m jeho obraze, konstruuje s\u00e9rii variac\u00ed. Bu\u010fto n\u011bjak\u00e9            elementy p\u0159id\u00e1 nebo odebere. M\u016f\u017eeme sledovat jednotliv\u00e9 f\u00e1ze zrodu            obrazu, chv\u00edle v\u00e1h\u00e1n\u00ed, variace jednotliv\u00fdch fragment\u016f, dokud nen\u00ed d\u00edlo            kompletn\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Touto vysv\u011btluj\u00edc\u00ed metodou se sna\u017e\u00edme            uk\u00e1zat jedin\u00e9: um\u011blcovo v\u00e1h\u00e1n\u00ed a hled\u00e1n\u00ed b\u011bhem kreativn\u00edho procesu            pramen\u00ed z rozvahy nad pou\u017eit\u00edm t\u00e9 kter\u00e9 formy nebo techniky. Pr\u00e1v\u011b            tohle odm\u00edtali oponenti Beksinsk\u00e9ho vz\u00edt na v\u011bdom\u00ed v dob\u011b, kdy\u017e je\u0161t\u011b            kreslil barokn\u00edm stylem.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">T\u00edm, \u017ee ukazujeme Beksinsk\u00e9ho t\u00e9m\u011b\u0159 abstraktn\u00ed nov\u00e9 obrazy a proces            jejich tvorby, snad ud\u011bl\u00e1me p\u0159\u00edtr\u017e v\u0161em ideologick\u00fdm v\u00fdtk\u00e1m, dohad\u016fm o            skryt\u00fdch poselstv\u00edch a liter\u00e1rn\u00edm interpretac\u00edm a uk\u00e1\u017eeme, \u017ee t\u011b\u017ei\u0161t\u011b            tohoto vyj\u00edme\u010dn\u00e9ho d\u00edla le\u017e\u00ed daleko za t\u011bmito podru\u017enostmi.<strong><\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\"><strong>Beksinsk\u00e9ho autopsychoterapie &#8211; Tadeusz            Nyczek<\/strong><\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Kdy\u017e roku 1922 publikoval James Joyce svou            Odyseu, jeden kritik poznamenal, \u017ee po tomto d\u00edle u\u017e nikdo nebude            schopn\u00fd napsat jednoduchou realistickou novelu. To by nazna\u010dovalo, \u017ee            existuj\u00ed ur\u010dit\u00e9 revolu\u010dn\u00ed momenty, kter\u00e9 vylu\u010duj\u00ed n\u00e1vrat ke star\u00fdm            po\u0159\u00e1dk\u016fm. Nap\u0159\u00edklad po Kopernikov\u011b objevech ztratila zcela platnost            teorie ploch\u00e9 Zem\u011b.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Podobn\u00e9 zvraty funguj\u00ed i v mal\u00ed\u0159stv\u00ed. Kdo            by si pomyslel, \u017ee po impresionismu se je\u0161t\u011b n\u011bkdo vr\u00e1t\u00ed k tradi\u010dn\u00ed            malb\u011b? Ale tam, kde je p\u0159edm\u011btem um\u011bn\u00ed, nen\u00ed nic nemo\u017en\u00e9. Pokud by se            jednalo o um\u011bn\u00ed, mohli by m\u00edt pravdu Kopern\u00edk i Ptolemaios.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Beksinski je toho \u017eiv\u00fdm d\u016fkazem. V jeho            d\u00edle se snoub\u00ed ohe\u0148 i voda, tradice a modernismus. Jeho \u017eivot um\u011blce            je p\u0159\u00edkladem pokory pro doktrin\u00e1\u0159e, pro kter\u00e9 je \u201ev\u011brnost form\u011b\u201c jen            zbab\u011bl\u00e9 lp\u011bn\u00ed na sou\u010dasn\u00fdch trendech . V\u017edy\u0165 Beksinski za\u010dal p\u0159ed 36            lety jako fotograf, po sv\u00e9 fotografick\u00e9 period\u011b (1965-1980) p\u0159e\u0161el            k tvorb\u011b plastik a n\u00e1sledn\u011b z\u00edskal reputaci jako grafick\u00fd um\u011blec.            Takto se  &#8211; stupe\u0148 po stupni \u2013 rozv\u00edj\u00ed jeho um\u011bleck\u00e1 kari\u00e9ra. Prvn\u00ed            Beksinsk\u00e9ho plastiky jsou p\u0159\u00edzna\u010dn\u00e9 jistou prud\u00e9rnost\u00ed. Jakoby se b\u00e1l,            \u017ee p\u0159ekro\u010d\u00ed dan\u00e9 meze. Beksinski to s\u00e1m p\u0159izn\u00e1v\u00e1.  Je pravda, \u017ee jeho            vazby na um\u011bleck\u00fd sv\u011bt v pades\u00e1t\u00fdch letech prakticky neexistovaly.  A\u017e            do jeho smrti byly t\u00e9m\u011b\u0159 nulov\u00e9 a omezovaly se jen na setk\u00e1n\u00ed            s p\u0159\u00e1teli z um\u011bleck\u00fdch kruh\u016f. Pades\u00e1t\u00e1 l\u00e9ta byla pro polskou mal\u00ed\u0159skou            sc\u00e9nu dobou divok\u00e9ho kva\u0161en\u00ed. Po \u00e9\u0159e Stalinismu a socialistick\u00e9ho            realismu se kreativn\u00ed um\u011blci sna\u017eili distancovat se od rigidn\u00edch forem            naturalismu. Chru\u0161\u010devovo odhalen\u00ed kultu osobnosti dalo polsk\u00e9mu um\u011bn\u00ed            alespo\u0148 kr\u00e1tkou iluzi svobody a dovolilo objevovat nov\u00e9 horizonty.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Pol\u0161t\u00ed um\u011blci si obl\u00edbili p\u0159edev\u0161\u00edm            avantgardu. Abstraktn\u00ed um\u011bn\u00ed, neform\u00e1ln\u00ed um\u011bn\u00ed a z jak\u00e9hosi d\u016fvodu i            tachismus z\u00edskaly p\u0159evahu. V\u0161echny tyto sm\u011bry se sm\u00edchaly v jedin\u00e9m            v\u0159\u00edc\u00edm kotli a um\u011bleck\u00e1 sc\u00e9na za\u010dala brzy odm\u00edtat v\u0161echny sm\u011bry            s vazbou na minulost. Um\u011bn\u00ed pro\u017e\u00edvalo svou \u00e9ru narcisismu a            nereflektovalo p\u0159\u00edli\u0161 ani okoln\u00ed sv\u011bt.<br \/>\nBeksinski sice na za\u010d\u00e1tku sv\u00e9 kari\u00e9ry nem\u011bl \u017e\u00e1dn\u00e9 vazby na um\u011bleck\u00fd            sv\u011bt, ale p\u0159esto byl sou\u010dasnou tvorbou ovlivn\u011bn. Jeho fotografie t\u00edhly            k abstrakci. Zachycovaly um\u011ble vytvo\u0159en\u00e9 situace, rafinovan\u00e9 v jejich            perverzn\u00ed jednoduchosti. Reli\u00e9fn\u00ed obrazy, kter\u00e9 za\u010dal d\u011blat v roce            1958 byly vytv\u00e1\u0159eny ze sva\u0159ovan\u00e9ho kovu aplikovan\u00e9ho na kovov\u00fd nebo            d\u0159ev\u011bn\u00fd podklad. Beksinski zde pop\u00edr\u00e1, \u017ee by byl inspirov\u00e1n jak\u00fdmkoliv            re\u00e1ln\u00fdm objektem. Musel se takto obhajovat po celou svou um\u011bleckou            kari\u00e9ru a br\u00e1nil se jak\u00fdmkoliv metaforick\u00fdm v\u00fdklad\u016fm sv\u00e9ho d\u00edla.            Nicm\u00e9n\u011b p\u0159esto mezi autorov\u00fdm z\u00e1m\u011brem a jeho publikem doch\u00e1zelo            neust\u00e1le k nedorozum\u011bn\u00edm.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Beksinski objevil, \u017ee se c\u00edt\u00ed daleko v\u00edce            p\u0159itahov\u00e1n k um\u011bn\u00ed 19. stolet\u00ed ne\u017e k modern\u00edm trend\u016fm. A\u010dkoliv dvacet            let tvo\u0159il v duchu modernismu, nikdy se nec\u00edtil jako sou\u010d\u00e1st            spole\u010dnosti a tak ani jeho um\u011bn\u00ed nereflektovalo stejn\u00e9 inspira\u010dn\u00ed            zdroje, kter\u00e9 byly p\u0159\u00edtomny v d\u00edlech jeho sou\u010dasn\u00edk\u016f.  Nam\u00edsto            ideologi\u00ed nastolil v\u011bdom\u00ed \u010dlov\u011bka druh\u00e9 poloviny 20. stolet\u00ed se v\u0161emi            jeho existen\u010dn\u00edmi a intelektu\u00e1ln\u00edmi probl\u00e9my.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Abstraktnost Beksinsk\u00e9ho rann\u00e9ho d\u00edla se            v jeho obrazech odr\u00e1\u017e\u00ed st\u00e1le. Sple\u0165 dr\u00e1t\u016f se pouze zm\u011bnila v \u017e\u00edly            lidsk\u00e9ho t\u011bla, sv\u011btlo prosv\u00edtaj\u00edc\u00ed jeho reli\u00e9fy najdeme v oknech            opu\u0161t\u011bn\u00fdch stra\u0161ideln\u00fdch dom\u016f nebo za postavami sed\u00edc\u00edmi v pr\u00e1zdn\u00e9            krajin\u011b.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Posuzovat abstraktn\u00ed d\u00edlo je v\u017edy obt\u00ed\u017en\u00e9.            Pokud um\u011blec nakresl\u00ed hn\u011bd\u00fd \u010dtverec uprost\u0159ed plochy s modr\u00fdmi a            zelen\u00fdmi okraji, m\u016f\u017eeme se dohadovat, \u017ee t\u00edm cht\u011bl vyj\u00e1d\u0159it sv\u016fj            existenci\u00e1ln\u00ed strach. Pokud v\u0161ak stejn\u00fd mal\u00ed\u0159 nakresl\u00ed mu\u017ee v hn\u011bd\u00e9m            kab\u00e1t\u011b, jak stoj\u00ed na zelen\u00e9 louce a nad hlavou m\u00e1 modrou oblohu, budou            se lid\u00e9 dohadovat, pro\u010d tam stoj\u00ed, kdo to je, co to m\u00e1 symbolizovat.            Pr\u00e1v\u011b takov\u00fdm dohad\u016fm se Beksinski br\u00e1nil a poukazoval na to, \u017ee jeho            inspirac\u00ed je pouze jeho podv\u011bdom\u00ed a nesna\u017e\u00ed se sv\u00e1 d\u00edla vztahovat            k re\u00e1ln\u00fdm ud\u00e1lostem.<br \/>\nPoj\u010fme se tedy v\u011bnovat Beksinsk\u00e9ho podv\u011bdom\u00fdm obses\u00edm, z nich\u017e jeho            d\u00edlo vyr\u016fst\u00e1.  P\u0159i bli\u017e\u0161\u00edm pozorov\u00e1n\u00ed jeho obraz\u016f se d\u00e1 \u0159\u00edci, \u017ee m\u00e1me            co do \u010din\u011bn\u00ed s neurotikem. Lze tak soudit z n\u011bkter\u00fdch st\u00e1le se            opakuj\u00edc\u00edch motiv\u016f, kter\u00e9 jsou pro autora zjevn\u011b p\u0159edm\u011btem kultu.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Vezm\u011bme si za p\u0159\u00edklad hlavy v Beksinsk\u00e9ho            tvorb\u011b. Na za\u010d\u00e1tku je fotografoval, pozd\u011bji d\u011blal skulptury, pak je            kreslil v jak\u00e9koliv mo\u017en\u00e9 variant\u011b. Stejn\u011b tak postupoval s postavami            sed\u00edc\u00edmi v k\u0159esle uprost\u0159ed krajiny napln\u011bn\u00e9 zbytky m\u011bstsk\u00e9            civilizace. Vize uk\u0159i\u017eov\u00e1n\u00ed neopustila Beksinsk\u00e9ho po 30 let. Po 30            let kreslil, fotografoval a sochal objekty ve v\u011btru nebo v \u0161er\u00e9m            sv\u011btle. L\u00e9ta jeho obrazy zachycovaly ohe\u0148 nebo podivn\u00e9 objekty            rostouc\u00ed na \u017eiv\u00fdch \u010di mrtv\u00fdch t\u011blech. Listy ve v\u011btru, postavy s vl\u010d\u00edmi            \u010di ps\u00edmi pr\u016fvodci, fragmenty architektury, domy, z\u00e1mky a bizarn\u00ed            budovy plovouc\u00ed vzduchem. Dal\u0161\u00ed zn\u00e1m\u00e1 postava je mnohoprst\u00fd fl\u00e9tnista.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Tyto motivy se st\u00e1le vrac\u00ed jako no\u010dn\u00ed            m\u016fry. Beksinkski se pr\u00e1v\u011b t\u00edmto zp\u016fsobem zbavoval sv\u00fdch tajn\u00fdch            strach\u016f a obses\u00ed. Jestli\u017ee tedy za jeho tvorbou chceme hledat n\u011bjak\u00fd            skryt\u00fd smysl, nem\u016f\u017ee to b\u00fdt pr\u00e1v\u011b autopsychoterapie?<br \/>\nMimo toho je zde v\u0161ak p\u0159\u00edtomen je\u0161t\u011b jeden motiv \u2013 a sice \u017eivotn\u00ed            \u00faloha, posl\u00e1n\u00ed. Zn\u00ed to snad mysticky, ale v\u0161ichni napl\u0148ujeme n\u011bjak\u00e9            posl\u00e1n\u00ed. A\u0165 u\u017e je to prost\u00e9 p\u0159e\u017eit\u00ed nebo u v\u011b\u0159\u00edc\u00edch \u0161\u00ed\u0159en\u00ed bo\u017e\u00edho            slova. Um\u011blci \u010dasto hovo\u0159i o tom, \u017ee skrze n\u011b kdosi nebo cosi            promlouv\u00e1 a oni pln\u00ed jen roli posl\u016f. To nezn\u00e1m\u00e9 cosi nen\u00ed nezbytn\u011b            n\u011bjak\u00e1 vy\u0161\u0161\u00ed bytost. D\u00edvejme se na to sp\u00ed\u0161e jako na psychickou            pot\u0159ebu, svou nal\u00e9havost\u00ed podobnou denn\u00edm pot\u0159eb\u011b j\u00eddla, sp\u00e1nku nebo            defekace.  Povaha t\u00e9to pot\u0159eby d\u011bl\u00ed autory na ty, kte\u0159\u00ed kresl\u00ed            kv\u011btinov\u00e1 pole a na ty kresl\u00edc\u00ed popravy.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">V\u0161e, co Beksinski ve sv\u00e9m \u017eivot\u011b d\u011blal,            bylo malov\u00e1n\u00ed a existence. D\u00e1 se \u0159\u00edci, \u017ee jedno podmi\u0148ovalo druh\u00e9.            Nen\u00ed tedy divu, \u017ee jej \u010dasem unavily abstraktn\u00ed malby. Univerzum, ze            kter\u00e9ho \u010derpal, jej prost\u011b znudilo. P\u0159enesen\u011b by se to dalo p\u0159irovnat            k tomu, kdyby byl n\u011bkdo cel\u00fd \u017eivot nucen j\u00edst va\u0159en\u00e1 vaj\u00ed\u010dka.            Beksinski naplnil sv\u016fj \u017eivot malbou a ud\u011blal z n\u00ed um\u011bn\u00ed samo pro sebe.            I na tvorbu ostatn\u00edch mal\u00ed\u0159\u016f se d\u00edval pouze z pozice \u0159emesln\u00edka a            hledal v n\u00ed nov\u00e9 postupy, kter\u00fdmi by mohl dotvo\u0159it k dokonalosti            vlast\u00ed obrazy.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Od poloviny 80. let Beksinski opou\u0161t\u00ed            tvorbu, kterou jeho vyklada\u010di mohou interpretovat liter\u00e1rn\u011b a poj\u00edmat            ji (myln\u011b) jako uzav\u0159en\u00fd p\u0159\u00edb\u011bh s hrdiny a z\u00e1pletkou. Pozad\u00ed, kter\u00e9            d\u0159\u00edve tvo\u0159ilo atmosf\u00e9ru se vytratilo a obrazy se zplo\u0161tily. Jakoby            v\u0161echno obj\u00edmala hust\u00e1 mlha. V pop\u0159ed\u00ed jsou v\u011bt\u0161inou jen osam\u011bl\u00e9            postavy. Pokud je jich v\u00edce, obj\u00edmaj\u00ed se v jak\u00e9msi smrteln\u00e9m milostn\u00e9m            stisku. Milovn\u00edci Beksinsk\u00e9ho d\u00edla budou t\u00edmto v\u00fdvojem patrn\u011b            zasko\u010deni.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Jakoby po t\u0159iceti letech tvorby ud\u011blal            obrovskou elipsu a za\u010dal znovu. Jeho kresby z let 1958-1962 byly            koncipov\u00e1ny podle pravidel renesan\u010dn\u00edho um\u011bn\u00ed. To sam\u00e9 lze vypozorovat            na obrazech z let 1987-1991. Ploch\u00e9, nedefinovateln\u00e9 pozad\u00ed, postavy            v pop\u0159ed\u00ed \u010dasto zachyceny uprost\u0159ed akcentovan\u00fdch pohyb\u016f. Zat\u00edmco            d\u0159\u00edve byly Beksinsk\u00e9ho krajiny rozd\u011bleny do jak\u00fdchsi pl\u00e1n\u016f, te\u010f se            postavy vylupuj\u00ed z nic ne\u0159\u00edkaj\u00edc\u00edho pozad\u00ed.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">Takto z ni\u010deho vytvo\u0159en\u00e9 postavy jsou pak            jakousi zt\u011blesn\u011bnou nicotou. Autor t\u00edm d\u00e1v\u00e1 najevo sv\u016fj postoj            k malb\u011b, jako k prost\u00e9mu um\u011bn\u00ed kompozice, barev, kresby. Osvobozuje            tak malbu od n\u00e1nos\u016f vlo\u017een\u00fdch v\u00fdznam\u016f. Jeho postavy se br\u00e1n\u00ed jak\u00e9koliv            interpretaci nebo popisu. Jde jen o echa re\u00e1ln\u00fdch objekt\u016f bez            skute\u010dn\u00e9ho c\u00edle a existence.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">\u0158\u00edk\u00e1 se: Uka\u017e, jak dob\u0159e kresl\u00ed\u0161 a j\u00e1 ti            \u0159eknu, jestli jsi skute\u010dn\u011b um\u011blec.\u201c Ne\u017e se Beksinski projevil jako            mal\u00ed\u0159, byl zn\u00e1m jako grafik . Jeho t\u00e9m\u011b\u0159 karikaturn\u00ed erotick\u00e1 d\u00edla, na            pomez\u00ed grotesky a anatomick\u00e9ho manu\u00e1lu, mu otev\u0159ela cestu ke sl\u00e1v\u011b.<\/p>\n<p class=\"MsoNormal\" style=\"text-align: justify;\">V posledn\u00ed dob\u011b Beksinksi zaujal op\u011bt nov\u00fd            p\u0159\u00edstup, kter\u00fd n\u00e1s nut\u00ed soust\u0159edit se v\u00edce na formu ne\u017e na obsah.            Vybere si jeden fragment malby a ten pak variuje v mnoha rozv\u00edjej\u00edc\u00edch            se kresb\u00e1ch. Vytv\u00e1\u0159\u00ed tak celou s\u00e9rii v n\u00ed\u017e je ka\u017ed\u00e1 kresba sama o sob\u011b            celkem i sou\u010d\u00e1st\u00ed souboru.<br \/>\nDokud Beksinski tvo\u0159il v duchu moderny, byl oslavov\u00e1n kritiky, kdy\u017e se            p\u0159iklonil k tradi\u010dn\u00edmu zp\u016fsobu malby, z\u00edskal si p\u0159\u00edze\u0148 publika jako            srozumiteln\u00fd um\u011blec. Dnes, kdy\u017e zkombinoval oba tyto p\u0159\u00edstupy,            dok\u00e1zal, \u017ee pro prav\u00e9ho um\u011blce neexistuj\u00ed \u0161katulky. Potvrzuje tak            z\u00e1rove\u0148 svou pov\u011bst um\u011blce, kter\u00fd nerespektuje \u017e\u00e1dn\u00e9 m\u00f3dn\u00ed trendy.            Jeho v\u011bhlas bude jist\u011b stoupat, stejn\u011b jako u mnoha um\u011blc\u016f zpoza            \u017eelezn\u00e9 opony, kte\u0159\u00ed byli teprve ned\u00e1vno objeveni pro sv\u011bt.<span style=\"font-family: Arial; font-size: x-small;\"> <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>www.beksinski.pl Narozen 24. \u00fanora 1929 v Sanoku, Polsko V letech 1947 &#8211; 1952 studoval architekturu na Krakowsk\u00e9 polytechnick\u00e9 \u0161kole. Byl nucen pracovat jako architekt v n\u011bkolika m\u011bstech. V t\u00e9 dob\u011b se za\u010dal zaj\u00edmat o um\u011bleckou fotografii, kombinovanou s prvn\u00edmi snahami o kresbu a malbu. V roce 1955 se vr\u00e1til do sv\u00e9ho rodn\u00e9ho m\u011bsta Sanoku. Krom\u011b [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":13,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/249"}],"collection":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=249"}],"version-history":[{"count":0,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/249\/revisions"}],"wp:attachment":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}