D\u00edky tomu, \u017ee v \u010cech\u00e1ch v podstat\u011b zat\u00edm neexistuje kniha, kter\u00e1 by kvalitn\u011b popisovala techniku americk\u00e9 retu\u0161e, budete odk\u00e1z\u00e1ni na studium zahrani\u010dn\u00edch materi\u00e1l\u016f. Na internetu jsou tis\u00edce str\u00e1nek um\u011blc\u016f z cel\u00e9ho sv\u011bta; v \u010desk\u00fdch obchodech lze tu a tam sehnat n\u011bjakou literaturu v angli\u010dtin\u011b… To v\u0161echno stoj\u00ed za koupi a prostudov\u00e1n\u00ed! Nejv\u011bt\u0161\u00ed hodnotu m\u00e1 pro V\u00e1s Va\u0161e vlastn\u00ed pr\u00e1ce, ale bez odborn\u00e9ho studia se tak\u00e9 neobejdete. Nav\u00edc je pro V\u00e1s velmi cenn\u00e9 studovat nejr\u016fzn\u011bj\u0161\u00ed zku\u0161enosti t\u011bch, kte\u0159\u00ed u\u017e airbrush n\u011bjakou tu dobu pou\u017e\u00edvaj\u00ed. V anglicky psan\u00fdch materi\u00e1lech se v\u00edce m\u00e9n\u011b uplat\u0148uje ur\u010dit\u00e1 terminologie. Proto jsem se rozhodnul sestavit mal\u00fd a stru\u010dn\u00fd “slovn\u00ed\u010dek” t\u011bch nejpou\u017e\u00edvan\u011bj\u0161\u00edch a pokud mo\u017eno nem\u011bnn\u00fdch n\u00e1zv\u016f.<\/p>\n
| Acetate<\/td>\n | transparentn\u00ed plastov\u00fd film o r\u016fzn\u00e9 tlou\u0161\u0165ce, kter\u00fd se pou\u017e\u00edv\u00e1 jako povrch v animaci. Pro techniku americk\u00e9 retu\u0161e m\u00e1 v\u00fdznam v tom, \u017ee z n\u011bj lze vy\u0159ez\u00e1vat r\u016fzn\u00e9 masky, tvary a \u0161ablony.<\/td>\n<\/tr>\n |
| Air<\/td>\n | vzduch; stla\u010den\u00fd vzduch z kompresoru \u010di tlakov\u00e9 l\u00e1hve<\/td>\n<\/tr>\n |
| Atomization<\/td>\n | rozpr\u00e1\u0161en\u00ed; schopnost nebo m\u00edra toho, jak dob\u0159e um\u00ed retu\u0161 rozpr\u00e1\u0161it barvu na jemn\u00e9 \u010d\u00e1ste\u010dky.<\/td>\n<\/tr>\n |
| Back handle<\/td>\n | n\u00e1sadka (ukr\u00fdv\u00e1 konec jehly, kotv\u00edc\u00ed \u0161roub a regula\u010dn\u00ed \u0161roub)<\/td>\n<\/tr>\n |
| Canvas<\/td>\n | pl\u00e1tno; mal\u00ed\u0159sk\u00e9 pl\u00e1tno<\/td>\n<\/tr>\n |
| Cardboard<\/td>\n | lepenka, tvrd\u00fd kart\u00f3n<\/td>\n<\/tr>\n |
| CFM<\/td>\n | z\u00e1padn\u00ed jednotka vzduchov\u00e9ho proudu – objem jedn\u00e9 kubick\u00e9 stopy za minutu<\/td>\n<\/tr>\n |
| Cup<\/td>\n | n\u00e1dobka na barvu (obvykle my\u0161lena ta, kter\u00e1 je neodn\u00edmateln\u00e1)<\/td>\n<\/tr>\n |
| Direct compressor<\/td>\n | kompresor, kter\u00fd nem\u00e1 tlakovou n\u00e1dr\u017e (v\u011bt\u0161inou mal\u00e9 model\u00e1\u0159sk\u00e9 membr\u00e1nov\u00e9 kompresory)<\/td>\n<\/tr>\n |
| Dye<\/td>\n | barvivo<\/td>\n<\/tr>\n |
| Fading<\/td>\n | tmavnut\u00ed nebo sv\u011btl\u00e1n\u00ed barev nebo podklad\u016f, souvis\u00ed s kvalitou a st\u00e1lost\u00ed pigment\u016f \u010di pojiv<\/td>\n<\/tr>\n |
| Freehand<\/td>\n | technika, kdy se retu\u0161\u00ed maluje voln\u011b od ruky, bez pou\u017e\u00edv\u00e1n\u00ed masek a \u0161ablon.<\/td>\n<\/tr>\n |
| Friskit (nebo Frisk)<\/td>\n | pr\u016fhledn\u00e1 samolep\u00edc\u00ed maskovac\u00ed f\u00f3lie<\/td>\n<\/tr>\n |
| Fugitive color<\/td>\n | ztr\u00e1cej\u00edc\u00ed se barva, barva kter\u00e1 p\u016fsoben\u00edm slune\u010dn\u00edho sv\u011btla bledne<\/td>\n<\/tr>\n |
| Gesso<\/td>\n | gesso, p\u0159\u00edpravek na \u00fapravu povrchu pl\u00e1ten \u010di desek, zapl\u0148uje nerovnosti a p\u0159ilne k povrchu. Je to vlastn\u011b prost\u0159edn\u00edk mezi povrchem a barvou. Gessa jsou zvl\u00e1\u0161\u0165 pro olej a pro akryl.<\/td>\n<\/tr>\n |
| Gouache<\/td>\n | kva\u0161; kva\u0161ov\u00e1 barva, podobn\u00e1 akvarelov\u00e9 barv\u011b, av\u0161ak v\u00edce kryv\u00e1<\/td>\n<\/tr>\n |
| Handpiece<\/td>\n | t\u011blo retu\u0161e, nerozeb\u00edrateln\u00e1 \u010d\u00e1st, n\u011bkdy se tak ozna\u010duje retu\u0161 jako takov\u00e1.<\/td>\n<\/tr>\n |
| Hard-edged<\/td>\n | druh malby, kdy se maluj\u00ed jasn\u011b ohrani\u010den\u00e9, \u010dist\u00e9 a ostr\u00e9 tvary, vytvo\u0159en\u00e9 pou\u017eit\u00edm masek nebo \u0161ablon (nap\u0159. reklamn\u00ed malba apod.)<\/td>\n<\/tr>\n |
| Hose<\/td>\n | hadice; pevn\u00e9 spojen\u00ed mezi retu\u0161\u00ed a kompresorem<\/td>\n<\/tr>\n |
| Highlights<\/td>\n | sv\u011bteln\u00fd odlesk. Malb\u011b dod\u00e1v\u00e1 v\u011brohodnost a ur\u010duje vlastnosti povrch\u016f, jako\u017e i sm\u011bry, odkud p\u0159ich\u00e1z\u00ed sv\u011btlo, nebo na kter\u00e9m m\u00edst\u011b se zrcadl\u00ed. Vytv\u00e1\u0159\u00ed se b\u00edlou barvou, nebo lze odlesky vytvo\u0159it vygumov\u00e1n\u00edm barevn\u00e9 vrstvy na ur\u010dit\u00fdch m\u00edstech (u vodov\u00fdch barev).<\/td>\n<\/tr>\n |
| Ink<\/td>\n | inkoust<\/td>\n<\/tr>\n |
| Liquid<\/td>\n | tekutina; kapalina<\/td>\n<\/tr>\n |
| Loose masking<\/td>\n | n\u011bkdy se takto ozna\u010duj\u00ed nep\u0159ilnav\u00e9 a p\u0159ikl\u00e1dac\u00ed masky, kter\u00e9 nejsou nalepen\u00e9 na povrchu jako maskovac\u00ed film. M\u00edn\u00ed se t\u00edm nej\u010dast\u011bji prav\u00edtka, k\u0159iv\u00edtka a dal\u0161\u00ed r\u016fzn\u00e9 tvary.<\/td>\n<\/tr>\n |
| Masking<\/td>\n | maskov\u00e1n\u00ed; zakr\u00fdv\u00e1n\u00ed ur\u010dit\u00fdch \u010d\u00e1st\u00ed plochy pomoc\u00ed nejr\u016fzn\u011bj\u0161\u00edch p\u0159edm\u011bt\u016f<\/td>\n<\/tr>\n |
| Moisture Trap (n\u011bkdy tak\u00e9 Air trap)<\/td>\n | kompresorov\u00fd filtr zachyt\u00e1vaj\u00edc\u00ed olej, kondenz\u00e1t a nejr\u016fzn\u011bj\u0161\u00ed ne\u010distoty<\/td>\n<\/tr>\n |
| Mural<\/td>\n | n\u00e1st\u011bnn\u00fd; malba na st\u011bnu (freska), n\u011bkdy se tak ozna\u010duje malba kapotu<\/td>\n<\/tr>\n |
| Needle Stop Screw<\/td>\n | kotv\u00edc\u00ed \u0161roub jehly<\/td>\n<\/tr>\n |
| Needle<\/td>\n | jehla<\/td>\n<\/tr>\n |
| Needle Tip (nebo jen Tip)<\/td>\n | hrot jehly<\/td>\n<\/tr>\n |
| Nozzle<\/td>\n | tryska<\/td>\n<\/tr>\n |
| Nozzle cap<\/td>\n | kryt trysky (od\u0161roubovateln\u00fd)<\/td>\n<\/tr>\n |
| O ring<\/td>\n | takto se ozna\u010duje mal\u00fd gumov\u00fd krou\u017eek, kter\u00fd slou\u017e\u00ed jako t\u011bsn\u011bn\u00ed v retu\u0161i, a\u0165 u\u017e u trysky, nebo v prostoru mezi n\u00e1dobkou na barvu a ovl\u00e1dac\u00ed p\u00e1\u010dkou.<\/td>\n<\/tr>\n |
| Over Spray<\/td>\n | necht\u011bn\u00e9 nebo chybn\u00e9 p\u0159esprejov\u00e1n\u00ed, chyba p\u0159i pr\u00e1ci, kdy se st\u0159\u00edkan\u00e1 barva dostane na plochy, na kter\u00fdch nem\u00e1 b\u00fdt, nebo unikne pod \u0161patn\u011b kryj\u00edc\u00ed \u0161ablonou.<\/td>\n<\/tr>\n |
| Paper cement (n\u011bkdy tak\u00e9 Rubber cement)<\/td>\n | tekut\u00e1 maska na b\u00e1zi latexu<\/td>\n<\/tr>\n |
| Permanency<\/td>\n | trvanlivost, trvalost, nem\u011bnnost (u barev, lak\u016f a podklad\u016f)<\/td>\n<\/tr>\n |
| Plywood<\/td>\n | p\u0159ekli\u017eka<\/td>\n<\/tr>\n |
| Powder<\/td>\n | pr\u00e1\u0161ek, pudr (rozemlet\u00e9 pigmenty)<\/td>\n<\/tr>\n |
| Pressure regulator<\/td>\n | regul\u00e1tor tlaku; reguluje tlak vzduchu, kter\u00fd jde do retu\u0161e, pou\u017e\u00edv\u00e1 se nej\u010dast\u011bji 0,5 do 3 Bar<\/td>\n<\/tr>\n |
| Propellant<\/td>\n | obecn\u011b se takto ozna\u010duj\u00ed v\u0161echny druhy pohonu americk\u00e9 retu\u0161e, tedy kompresory, tlakov\u00e9 lahve \u010di konzervy se stla\u010den\u00fdm vzduchem nebo no\u017en\u00ed pumpy.<\/td>\n<\/tr>\n |
| PSI<\/td>\n | z\u00e1padn\u00ed jednotka tlaku – libra (0,45359 kg) na jeden \u010dtvere\u010dn\u00ed palec (2,54cm)<\/td>\n<\/tr>\n |
| Pulsing<\/td>\n | negativn\u00ed projevy v proud\u011bn\u00ed vzduchu u kompresor\u016f bez tlakov\u00e9 n\u00e1doby<\/td>\n<\/tr>\n |
| Push button (n\u011bkdy tak\u00e9 Trigger)<\/td>\n | ovl\u00e1dac\u00ed p\u00e1\u010dka retu\u0161e; u double action ovl\u00e1d\u00e1 dol\u016f vzduch a dozadu barvu<\/td>\n<\/tr>\n |
| Reservoir (n\u011bkdy tak\u00e9 Tank)<\/td>\n | tlakov\u00e1 n\u00e1doba kompresoru, n\u011bkdy se tak ozna\u010duje i n\u00e1dobka na barvu u retu\u0161e<\/td>\n<\/tr>\n |
| Shellac<\/td>\n | \u0161elak<\/td>\n<\/tr>\n |
| Soft-edged<\/td>\n | druh malby, kdy se nechaj\u00ed p\u016fsobit hrany \u0161ablon (prav\u00edtek apod.) tak, \u017ee vzniknou nejasn\u011b ohrani\u010den\u00e9 tvary. Tento efekt vznik\u00e1 hlavn\u011b u tlust\u00fdch \u0161ablon, kter\u00e9 svou hranou lom\u00ed rozpra\u0161ovanou barvu tak daleko od sv\u00e9ho okraje, jak jsou tlust\u00e9.<\/td>\n<\/tr>\n |
| Solvent<\/td>\n | rozpou\u0161t\u011bdlo<\/td>\n<\/tr>\n |
| Stencils<\/td>\n | \u0161ablony ze samolep\u00edc\u00ed f\u00f3lie vy\u0159ezan\u00e9 do jednoduch\u00fdch tvar\u016f, nap\u0159. zv\u00ed\u0159ata. letadla, postavy, geometrick\u00e9 tvary apod.<\/td>\n<\/tr>\n |
| Surface<\/td>\n | povrch<\/td>\n<\/tr>\n |
| Spray<\/td>\n | \u00fazk\u00fd a p\u0159esn\u00fd paprsek rozpra\u0161ovan\u00e9 barvy sm\u00edchan\u00e9 se vzduchem nebo jin\u00fdm m\u00e9diem<\/td>\n<\/tr>\n |
| Spray gun<\/td>\n | m\u00edn\u00ed se t\u00edm hlavn\u011b velk\u00e9 pistole, ur\u010den\u00e9 na st\u0159\u00edk\u00e1n\u00ed velk\u00fdch ploch a schopn\u00e9 pojmout velk\u00e9 mno\u017estv\u00ed barvy<\/td>\n<\/tr>\n |
| Stipple<\/td>\n | skupina mal\u00fdch te\u010dek nebo skvrnek, kter\u00e9 vytv\u00e1\u0159ej\u00ed texturov\u00fd nebo t\u00f3nov\u00fd dojem, \u010dasto se tvo\u0159\u00ed st\u0159\u00edk\u00e1n\u00edm barvy zubn\u00edm kart\u00e1\u010dkem nebo pou\u017eit\u00edm retu\u0161e se z\u0159ed\u011bnou barvou a velmi mal\u00fdm tlakem.<\/td>\n<\/tr>\n |
| Tape (nebo 3M tape \u010di crepe tape)<\/td>\n | lak\u00fdrnick\u00e1 maskovac\u00ed p\u00e1ska (zvan\u00e1 tak\u00e9 n\u011bkdy krepov\u00e1 p\u00e1ska)<\/td>\n<\/tr>\n |
| Thinner<\/td>\n | \u0159edidlo, (thinner laquer – odlakova\u010d)<\/td>\n<\/tr>\n |
| Varnish<\/td>\n | lak; ferme\u017e<\/td>\n<\/tr>\n |
| Vignette<\/td>\n | vin\u011bta; plocha, jej\u00ed\u017e barevn\u00fd gradient p\u0159ech\u00e1z\u00ed od st\u0159edu k okraj\u016fm (nap\u0159. b\u00edl\u00fd st\u0159ed s malbou, jej\u00ed\u017e okraje postupn\u011b tmavnou, a\u017e p\u0159ejdou plynule do \u010dern\u00e9.<\/td>\n<\/tr>\n |
| Watherproof<\/td>\n | ozna\u010den\u00ed barev, kter\u00e9 jsou \u0159editeln\u00e9 vodou, ale po zaschnut\u00ed u\u017e ne<\/td>\n<\/tr>\n |
| Weatherproof<\/td>\n | odoln\u00e9 v\u016f\u010di po\u010das\u00ed<\/td>\n<\/tr>\n |
| Xacto knife<\/td>\n | n\u016f\u017e na linoleum; mysl\u00ed se j\u00edm \u010dasto i skalpel (model\u00e1\u0159sk\u00fd s v\u00fdm\u011bnn\u00fdm ost\u0159\u00edm nebo chirurgick\u00fd)<\/td>\n<\/tr>\n |
| Yellowing<\/td>\n | \u017eloutnut\u00ed barev nebo podklad\u016f, souvis\u00ed s kvalitou a st\u00e1lost\u00ed pigment\u016f \u010di pojiv<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":" D\u00edky tomu, \u017ee v \u010cech\u00e1ch v podstat\u011b zat\u00edm neexistuje kniha, kter\u00e1 by kvalitn\u011b popisovala techniku americk\u00e9 retu\u0161e, budete odk\u00e1z\u00e1ni na studium zahrani\u010dn\u00edch materi\u00e1l\u016f. Na internetu jsou tis\u00edce str\u00e1nek um\u011blc\u016f z cel\u00e9ho sv\u011bta; v \u010desk\u00fdch obchodech lze tu a tam sehnat n\u011bjakou literaturu v angli\u010dtin\u011b… To v\u0161echno stoj\u00ed za koupi a prostudov\u00e1n\u00ed! Nejv\u011bt\u0161\u00ed hodnotu m\u00e1 pro […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/300"}],"collection":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=300"}],"version-history":[{"count":0,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/300\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}} |