{"id":301,"date":"2008-05-09T18:22:00","date_gmt":"2008-05-09T16:22:00","guid":{"rendered":"http:\/\/www.darkart.cz\/?page_id=301"},"modified":"2008-05-09T21:32:41","modified_gmt":"2008-05-09T19:32:41","slug":"tipy-a-triky","status":"publish","type":"page","link":"https:\/\/darkart.cz\/?page_id=301","title":{"rendered":"Tipy a triky"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" class=\"attachment wp-att-282 alignleft\" src=\"http:\/\/www.darkart.cz\/wp-content\/2008\/05\/head_airbrush.jpg\" alt=\"head_airbrush\" width=\"120\" height=\"120\" \/><strong><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>LAZUROV\u00c1N\u00cd: <\/strong>je to technika, kter\u00e1 m\u00e1 mnoho zp\u016fsob\u016f proveden\u00ed, ale v\u00fdsledky jsou v podstat\u011b v\u017edy stejn\u00e9ho druhu. Lazurov\u00e1n\u00ed je vlastn\u011b nan\u00e1\u0161en\u00ed barevn\u00fdch vrstev na sebe tak, aby spodn\u00ed vrstvy byly viditeln\u00e9 a jejich barva se sm\u00edchala s barvou vrstev nad nimi. P\u0159i lazurov\u00e1n\u00ed vznik\u00e1 t\u0159et\u00ed barva t\u00edm, \u017ee transparentn\u00ed vrstvu barvy naneseme na dal\u0161\u00ed vrstvu. Nap\u0159\u00edklad oran\u017eov\u00e1 barva vznik\u00e1 lazurov\u00e1n\u00edm transparentn\u00ed \u010derven\u011b na \u017elutou vrstvu. Takto vznikl\u00e1 barva m\u00e1 \u00fapln\u011b jin\u00fd vzhled, ne\u017e barva vznikl\u00e1 mechanick\u00fdm sm\u00edch\u00e1n\u00edm. Lazurov\u00e1n\u00ed lze pou\u017e\u00edt v mnoha mal\u00ed\u0159sk\u00fdch technik\u00e1ch &#8211; v malb\u011b pastelem, temperou, olejem, akrylem nebo akvarelem. Zvl\u00e1\u0161t\u011b se uplat\u0148uje u akvarelu, kde se mnoho barevn\u00fdch t\u00f3n\u016f z\u00edsk\u00e1 pr\u00e1v\u011b t\u00edm, \u017ee se na sebe vrstv\u00ed n\u011bkolik barev, kter\u00e9 se opticky sm\u00edchaj\u00ed a vytvo\u0159\u00ed po\u017eadovan\u00fd barevn\u00fd t\u00f3n. M\u016f\u017eete na sebe vrstvit libovoln\u00e9 mno\u017estv\u00ed vrstev, z\u00e1le\u017e\u00ed jen na tom, \u010deho chcete dos\u00e1hnout. U akvarelu je d\u016fle\u017eit\u00e9, aby byly barvy transparentn\u00ed, tud\u00ed\u017e aby propou\u0161t\u011bly barvy spodn\u00edch vrstev. Takto lze nap\u0159\u00edklad jasn\u011b modrou plochu nat\u00f3novat \u017elut\u00ed tak, \u017ee se v t\u00f3novan\u00e9m m\u00edst\u011b objev\u00ed zelenav\u00fd odst\u00edn a ten je intenzivn\u00ed podle toho, jak\u00e9 jsme pou\u017eili barvy a kolik jejich vrstev se p\u0159ekr\u00fdv\u00e1. V technice airbrush je lazurov\u00e1n\u00ed jedn\u00edm ze z\u00e1kladn\u00edch prvk\u016f malby. Oproti malb\u00e1m \u0161t\u011btcem m\u00e1 airbrush obrovskou v\u00fdhodu v tom, \u017ee dok\u00e1\u017ee lazurovat i s netransparentn\u00edmi barvami, a to d\u00edky jemn\u00e9mu rozst\u0159iku barvy, kter\u00fd v jist\u00e9 intenzit\u011b st\u00e1le zpr\u016fhled\u0148uje barevn\u00e9 vrstvy pod sebou. D\u00edky t\u00e9to technice m\u016f\u017eeme v podstat\u011b t\u00f3novat barvy p\u0159\u00edmo na podkladu, bez nutnosti je p\u0159edem m\u00edchat. Samoz\u0159ejm\u011b to neplat\u00ed ve v\u0161ech p\u0159\u00edpadech, ale lazurov\u00e1n\u00edm m\u016f\u017eeme dos\u00e1hnout velmi zaj\u00edmav\u00fdch v\u00fdsledk\u016f pom\u011brn\u011b jednoduch\u00fdm postupem. Nap\u0159\u00edklad vytvo\u0159en\u00ed namodral\u00fdch d\u00fdm\u016f \u010di oparu vych\u00e1zej\u00edc\u00edch z n\u011bjak\u00e9 n\u00e1doby lze prov\u00e9st tak, \u017ee tvary d\u00fdmu \u010di oparu nejd\u0159\u00edve vymodelujeme st\u0159\u00edk\u00e1n\u00edm b\u00edl\u00e9 barvy a pak je jemn\u011b nat\u00f3nujeme p\u0159est\u0159\u00edk\u00e1n\u00edm modrou barvou. Modr\u00e1 barva propust\u00ed b\u00edlou pod sebou, tak\u017ee se t\u00edm opticky zjasn\u00ed a zpr\u016fhledn\u00ed a z\u00edsk\u00e1 dojem barevn\u00e9ho d\u00fdmu. Lazurov\u00e1n\u00ed m\u00e1 samoz\u0159ejm\u011b mnoho dal\u0161\u00edch pou\u017eit\u00ed, nap\u0159\u00edklad pokud chceme n\u011bjakou p\u0159\u00edli\u0161 jasnou barvu ztlumit, m\u016f\u017eeme ji p\u0159et\u00f3novat \u010dernou, kter\u00e1 p\u0159i jemn\u00e9m post\u0159iku barvu ztlum\u00ed a trochu &#8220;za\u0161pin\u00ed&#8221;. Lazurov\u00e1n\u00edm lze tak\u00e9 ztlumit p\u0159\u00edli\u0161 jasn\u00e9 p\u0159edm\u011bty, postavy nebo objekty v pozad\u00ed. Mal\u00ed\u0159sk\u00e1 pou\u010dka \u0159\u00edk\u00e1, \u017ee to, co je k pozorovateli bl\u00ed\u017e m\u00e1 m\u00edt jasn\u011bj\u0161\u00ed odst\u00edny barev, z\u0159eteln\u011bj\u0161\u00ed kontury a hlub\u0161\u00ed st\u00edny. Naopak to, co ustupuje do pozad\u00ed by m\u011blo m\u00edt tlumen\u00e9 t\u00f3ny, neznateln\u00e9 obrysy a sjednocenou barevnou hloubku. Jenom tak m\u016f\u017ee vyniknout perspektiva a sc\u00e9na, kterou chceme zachytit. Proto nap\u0159\u00edklad postavy stoj\u00edc\u00ed v pop\u0159ed\u00ed obrazu budou m\u00edt jasn\u011bj\u0161\u00ed, konkr\u00e9tn\u011bj\u0161\u00ed a teplej\u0161\u00ed barvy, ne\u017e vzd\u00e1len\u00e9 vrcholky hor za nimi. Barevn\u00e9 t\u00f3ny hor m\u016f\u017eete sladit t\u0159eba t\u00edm, \u017ee je p\u0159est\u0159\u00edk\u00e1te lehkou vrstvou b\u00edl\u00e9 barvy, co\u017e je r\u00e1zem uvrhne do oparu, kter\u00fd sjednot\u00ed barvy a ur\u010d\u00ed optickou vzd\u00e1lenost od objekt\u016f v pop\u0159ed\u00ed.<\/p>\n<p style=\"text-align: justify;\"><strong>STOJAN: <\/strong>p\u0159i va\u0161\u00ed pr\u00e1ci s jistotou p\u0159ijde okam\u017eik, kdy budete pot\u0159ebovat retu\u0161, s n\u00e1dobkou plnou barvy, odlo\u017eit. V t\u00e9 chv\u00edli \u010dlov\u011bk hled\u00e1 i ta nejnemo\u017en\u011bj\u0161\u00ed \u0159e\u0161en\u00ed, jen aby retu\u0161 bezpe\u010dn\u011b odlo\u017eil a m\u011bl ruce voln\u00e9. Ne\u010dekejte na tento okam\u017eik a rad\u011bji se na n\u011bj p\u0159ipravte. V obchodech specializovan\u00fdch na um\u011bleck\u00fd materi\u00e1l jsou k sehn\u00e1n\u00ed dr\u017e\u00e1ky na retu\u0161, kter\u00e9 lze p\u0159ipevnit v podstat\u011b kamkoliv. Ka\u017ed\u00fd \u0161ikovn\u011bj\u0161\u00ed \u010dlov\u011bk si ale dok\u00e1\u017ee n\u011bco podobn\u00e9ho hrav\u011b vyrobit s\u00e1m. Je dobr\u00e9, pokud lze stojan p\u0159emis\u0165ovat a up\u00ednat t\u0159eba na prkno nebo na st\u016fl. Dobr\u00fd dr\u017e\u00e1k retu\u0161e v\u00e1s zbav\u00ed starost\u00ed o jej\u00ed bezpe\u010dnost. Nezapome\u0148te na n\u011bj.<\/p>\n<p style=\"text-align: justify;\"><strong>MASKOV\u00c1N\u00cd: <\/strong><\/p>\n<p style=\"text-align: justify;\">&#8211; pokud pou\u017e\u00edv\u00e1te f\u00f3lii, ze kter\u00e9 vy\u0159ez\u00e1v\u00e1te jednotliv\u00e9 \u0161ablony a masky, ponechte si podkladov\u00fd hladk\u00fd pap\u00edr na odkl\u00e1d\u00e1n\u00ed pou\u017eit\u00fdch nebo p\u0159ipraven\u00fdch masek. Budete je potom moct znovu pou\u017e\u00edt, v\u0161ude jinde by nachytaly na lepidlo spoustu ne\u010distot a u\u017e by kvalitn\u011b nep\u0159ilnuly k malb\u011b. Masky pokl\u00e1dejte co nejpe\u010dliv\u011bji a opatrn\u011b; zkrabacen\u00ed nebo vzduchov\u00e9 bubliny pod f\u00f3li\u00ed jsou nep\u0159\u00edpustn\u00e9. Pokud jde o slo\u017eitou masku, p\u0159ikryjte pe\u010dliv\u011b maskovanou plochu f\u00f3li\u00ed (z role postupn\u011b odmot\u00e1v\u00e1te film, ze kter\u00e9ho postupn\u011b odstra\u0148ujete podkladov\u00fd pap\u00edr, ne tak, \u017ee strhnete pap\u00edr rovnou a budete se sna\u017eit velkou plochu lep\u00edc\u00ed f\u00f3lie polo\u017eit na podklad), na kter\u00e9 u\u017e m\u016f\u017eete m\u00edt na\u010drtnut\u00fd tvar masky, podle kter\u00e9ho za\u010dnete \u0159ezat p\u0159\u00edmo na podlo\u017ece. Jemn\u00fd tlak na skalpel zaru\u010d\u00ed, \u017ee se nepro\u0159\u00edznete a\u017e do malby.<\/p>\n<p style=\"text-align: justify;\">&#8211; zbyte\u010dn\u011b netla\u010dte na f\u00f3lii ve snaze o lep\u0161\u00ed p\u0159ilnut\u00ed k povrchu &#8211; sta\u010d\u00ed ji m\u00edrn\u011b p\u0159ejet prsty, aby v\u0161echny okraje p\u0159ilnuly a neodchlipovaly se. P\u0159i zbyte\u010dn\u00e9m tlaku na f\u00f3lii by potom mohlo b\u00fdt obt\u00ed\u017en\u00e9 ji odstranit; mohla by strhnout malbu nebo pap\u00edr pod sebou.<\/p>\n<p style=\"text-align: justify;\">&#8211; nenech\u00e1vejte p\u0159ilnut\u00e9 masky z f\u00f3lie na obrazu zbyte\u010dn\u011b dlouho (v\u00edce jak 24 hodin), mohly by p\u0159ilnout siln\u011bji a p\u0159i jejich odstra\u0148ov\u00e1n\u00ed by do\u0161lo k po\u0161kozen\u00ed vrstev pod nimi. P\u0159i odstra\u0148ov\u00e1n\u00ed masek postupujte pomalu, klidn\u011b a pe\u010dliv\u011b. Hrub\u00e9 strh\u00e1v\u00e1n\u00ed masek m\u016f\u017ee v\u00e9st k po\u0161kozen\u00ed malby.<\/p>\n<p style=\"text-align: justify;\">&#8211; masky \u0159ezejte jenom dokonale ostr\u00fdm no\u017eem &#8211; ka\u017ed\u00fd ot\u0159ep nebo chyba jsou vid\u011bt. Pou\u017e\u00edvejte skalpel s vym\u011bniteln\u00fdmi typy ost\u0159\u00ed a pou\u017e\u00edvejte je podle typu \u0159ezu &#8211; nap\u0159. ostr\u00e9 \u00fahly nebo kouty spolehliv\u011b vy\u0159\u00edzne troj\u00faheln\u00edkov\u00e9, za\u0161pi\u010dat\u011bl\u00e9 ost\u0159\u00ed.<\/p>\n<p style=\"text-align: justify;\">&#8211; pokud pot\u0159ebujete stejn\u00fd druh \u0161ablony n\u011bkolikr\u00e1t (nap\u0159. p\u0159i malov\u00e1n\u00ed stejn\u00e9ho objektu na r\u016fzn\u00fdch m\u00edstech podkladu), um\u00edst\u011bte nad sebe maskovac\u00ed materi\u00e1l v n\u011bkolika vrstv\u00e1ch a ostr\u00fdm no\u017eem je pro\u0159ezejte skrz, vnikne v\u00e1m tak n\u011bkolikr\u00e1t sten\u00e1 \u0161ablona a u\u0161et\u0159\u00edte si tak zdlouhav\u00e9 p\u0159ekreslov\u00e1n\u00ed a dal\u0161\u00ed \u0159ez\u00e1n\u00ed.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>LAZUROV\u00c1N\u00cd: je to technika, kter\u00e1 m\u00e1 mnoho zp\u016fsob\u016f proveden\u00ed, ale v\u00fdsledky jsou v podstat\u011b v\u017edy stejn\u00e9ho druhu. Lazurov\u00e1n\u00ed je vlastn\u011b nan\u00e1\u0161en\u00ed barevn\u00fdch vrstev na sebe tak, aby spodn\u00ed vrstvy byly viditeln\u00e9 a jejich barva se sm\u00edchala s barvou vrstev nad nimi. P\u0159i lazurov\u00e1n\u00ed vznik\u00e1 t\u0159et\u00ed barva t\u00edm, \u017ee transparentn\u00ed vrstvu barvy naneseme na dal\u0161\u00ed vrstvu. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":210,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/301"}],"collection":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=301"}],"version-history":[{"count":0,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/301\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/210"}],"wp:attachment":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=301"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}