{"id":459,"date":"2008-05-16T11:23:52","date_gmt":"2008-05-16T09:23:52","guid":{"rendered":"http:\/\/www.darkart.cz\/?page_id=459"},"modified":"2008-05-21T18:24:54","modified_gmt":"2008-05-21T16:24:54","slug":"brian-williams-lustmord","status":"publish","type":"page","link":"https:\/\/darkart.cz\/?page_id=459","title":{"rendered":"Brian Williams – Lustmord"},"content":{"rendered":"

\"head_lustmord\"<\/p>\n

www.lustmord.com<\/a><\/p>\n

Angli\u010dan, kter\u00fd se v roce 1993 p\u0159est\u011bhoval z rodn\u00e9 zem\u011b do Los Angeles, aby se proslavil jako geni\u00e1ln\u00ed autor hudby, kterou lze jen t\u011b\u017eko za\u0159adit. N\u011bkte\u0159\u00ed ji naz\u00fdvaj\u00ed dark ambient, jin\u00ed zase industri\u00e1ln\u00ed ambient nebo dark wave. Ani jednu \u0161katulku nem\u00e1 Brian Williams r\u00e1d a v ka\u017ed\u00e9m rozhovoru se sna\u017e\u00ed vysv\u011btlit, \u017ee jeho hudba je zcela specifick\u00e1, nepodl\u00e9haj\u00edc\u00ed zaveden\u00e9 kategorizaci. Mo\u017en\u00e1 m\u00e1 pravdu.<\/p>\n

I kdy\u017e se Brian podivuje, \u017ee lid\u00e9 c\u00edt\u00ed ze zvuk\u016f Lustmordu t\u00edse\u0148, temnotu, strach, neskute\u010dn\u00e9 hlubiny a\u0165 u\u017e vesm\u00edru nebo zatuchl\u00fdch podzemn\u00edch labyrint\u016f, ve skute\u010dnosti moc dob\u0159e zn\u00e1 \u00fa\u010dinky sv\u00e9 hudby. Skl\u00e1d\u00e1n\u00ed je pro\"brian-williams\" n\u011bj skoro a\u017e v\u011bdou, velmi c\u00edlen\u011b pou\u017e\u00edv\u00e1 samply a zvukov\u00e9 vln\u011bn\u00ed o p\u0159esn\u00fdch frekven\u010dn\u00edch hodnot\u00e1ch, aby doc\u00edlil efektu na lidsk\u00fd mozek. K tomu pou\u017e\u00edv\u00e1 celou \u0159adu n\u00e1stroj\u016f a vybaven\u00ed, lov\u00ed zvuky po v\u0161ech m\u00edstech planety a potom je ve studiu m\u00edch\u00e1 v neskute\u010dn\u00fdch kombinac\u00edch a prom\u011bn\u00e1ch. Na star\u0161\u00edch albech dokonce uv\u00e1d\u00ed, odkud n\u011bkter\u00e9 zvuky poch\u00e1zej\u00ed, zmi\u0148uje temn\u00e9 hu\u010den\u00ed transform\u00e1tor\u016f, tibetsk\u00e9 rohy, kap\u00e1n\u00ed vody v jeskyn\u00edch, t\u00e1hl\u00e9 ozv\u011bny v podzemn\u00edch kobk\u00e1ch a krypt\u00e1ch, chrast\u011bn\u00ed \u0159et\u011bz\u016f na jatk\u00e1ch nebo zvuk dut\u00e9 stehenn\u00ed kosti, pou\u017e\u00edvan\u00e9 jak\u00fdmsi n\u00e1rodem jako ritu\u00e1ln\u00ed hudebn\u00ed n\u00e1stroj. Hutn\u00e9 basov\u00e9 dun\u011bn\u00ed, tak charakteristick\u00e9 pro zvuk Lustmordu dopl\u0148uje \u00fadery bubn\u016f nebo ch\u00f3ry padl\u00fdch and\u011bl\u016f, jejich\u017e hlasy se prol\u00ednaj\u00ed jako rtu\u0165.<\/p>\n

Brian se neboj\u00ed mluvit ani o negativn\u00edch \u00fa\u010dinc\u00edch zvuku na lidsk\u00fd organismus, o zhoubn\u00fdch efektech frekvenc\u00ed pod 20Hz.<\/p>\n

Cesta Lustmordu za\u010dala na po\u010d\u00e1tku osmdes\u00e1t\u00fdch let, kdy Biran za\u010dal nahr\u00e1vat sv\u00e9 prvn\u00ed v\u011bci spole\u010dn\u011b s v\u00fdznamn\u00fdm industri\u00e1ln\u00edm seskupen\u00edm S.P.K. jeho\u017e temn\u00e9 hudebn\u00ed prvky Brian pat\u0159i\u010dn\u011b rozvinul. Pozd\u011bji Brian o\u017eivil zn\u00e1m\u00fd label Side Effect (vyd\u00e1vali zde nap\u0159. Laibach), kter\u00fd v\u0161ak po n\u011bjak\u00e9 dob\u011b (1999) opustil. Hlavn\u00ed prac\u00ed je pro Briana designov\u00e1n\u00ed zvuku pro r\u016fzn\u00e9 filmy, seri\u00e1ly nebo po\u010d\u00edta\u010dov\u00e9 hry. Pr\u00e1v\u011b on vytv\u00e1\u0159\u00ed podivn\u00e9 znepokojuj\u00edc\u00ed ton\u00e1ln\u00ed a zvukov\u00e9 textury, kter\u00e9 se na pozad\u00ed propl\u00e9taj\u00ed dramatick\u00fdmi sc\u00e9nami. Jeho pr\u00e1ci m\u016f\u017eeme obdivovat nap\u0159\u00edklad ve filmech jako je Vr\u00e1na, Od soumraku do \u00fasvitu, The Saint, Spawn, Godzila nebo Underworld.<\/p>\n

\n

\"lustmord\"<\/p>\n

Zaj\u00edmav\u00e1 je i spolupr\u00e1ce Lustmordu s \u010desk\u00fdm labelem NextEra. Na t\u00e9to zna\u010dce toti\u017e vy\u0161la dv\u011b Brianova autorsk\u00e1 alba – temn\u00fd Metavoid a soundtrack k filmu Zoetrope. Podle autorov\u00fdch slov jej NextEra kontaktovala sama a projevila z\u00e1jem o vyd\u00e1n\u00ed n\u011bkter\u00fdch jeho v\u011bc\u00ed.<\/p>\n

Brian krom\u011b Lustmordu provozuje i projekt DeepNet, kter\u00fd p\u0159in\u00e1\u0161\u00ed tvorbu, kter\u00e1 se nehod\u00ed do sch\u00e9matu Lustmordu. Na Brianov\u011b internetov\u00e1 str\u00e1nce je tento projekt propojen s diskusn\u00edm f\u00f3rem.<\/p>\n

Rozhovory:<\/h3>\n

Rozhovor od Briana Duguida 1992<\/a>
\n Telefonick\u00fd rozhovor 1996<\/a>
\n Internetov\u00fd rozhovor z roku 2001<\/a><\/p>\n

Diskografie:<\/strong><\/h3>\n

Autorsk\u00e1 alba:<\/strong>
\n2004 – Pigs Of The Roman Empire
\n2003 – Carbon\/Core
\n2002 – Zoetrope
\n2001 – Metavoid
\n2000 – Purifiying Fire
\n1997 – Lustmord vs Metal Beast
\n1996 – Strange Attractor\/Black Star
\n1994 – The Place Where The Black Stars Hang
\n1992 – The monstrous Soul
\n1990 – Heresy
\n1990 – Paradise Disowned
\n1991 – A document of Early Acoustic &Tactical Experimentation<\/p>\n

\n

Spolupr\u00e1ce s dal\u0161\u00edmi um\u011blci:<\/strong>
\n1995 – Stalker
\n1998 – Core
\n1984 – CTI<\/p>\n

\n

Kompilace, na kter\u00fdch se Lustmord objevil:<\/strong>
\n2000 – Darkwave – Music of the Shadow v.2
\n1999 – Wild Planet Era Vulgaris Ncoded Plug Research & Development
\n1996 – Night Passage – Demixed
\n1996 – Seedmouth
\n1996 – Deepnet
\n1985 – Vhutemas \/ Archetypi<\/p>\n

1992 – Terror Against Terror
\n1993 – Crash Injury Trauma
\n1994 – Arecibo – Trans Plutonian Transmission<\/p>\n","protected":false},"excerpt":{"rendered":"

www.lustmord.com Angli\u010dan, kter\u00fd se v roce 1993 p\u0159est\u011bhoval z rodn\u00e9 zem\u011b do Los Angeles, aby se proslavil jako geni\u00e1ln\u00ed autor hudby, kterou lze jen t\u011b\u017eko za\u0159adit. N\u011bkte\u0159\u00ed ji naz\u00fdvaj\u00ed dark ambient, jin\u00ed zase industri\u00e1ln\u00ed ambient nebo dark wave. Ani jednu \u0161katulku nem\u00e1 Brian Williams r\u00e1d a v ka\u017ed\u00e9m rozhovoru se sna\u017e\u00ed vysv\u011btlit, \u017ee jeho hudba […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":557,"menu_order":33,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/459"}],"collection":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=459"}],"version-history":[{"count":0,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/459\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/pages\/557"}],"wp:attachment":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}