{"id":1170,"date":"2013-04-25T18:28:18","date_gmt":"2013-04-25T16:28:18","guid":{"rendered":"http:\/\/www.darkart.cz\/?p=1170"},"modified":"2013-04-26T09:30:07","modified_gmt":"2013-04-26T07:30:07","slug":"abandoned-places-3-henk-van-rensbergen","status":"publish","type":"post","link":"https:\/\/darkart.cz\/?p=1170","title":{"rendered":"Abandoned Places 3 \u2013 Henk Van Rensbergen"},"content":{"rendered":"

\"abp_3_01\"<\/a>P\u0159ed pouh\u00fdmi p\u00e1r m\u011bs\u00edci, v minul\u00e9 recenzi knihy Abandoned Places 2<\/a>, jsem se zm\u00ednil, \u017ee belgick\u00fd pilot a fotograf Henk Van Rensbergen se chyst\u00e1 vydat dal\u0161\u00ed, tedy ji\u017e t\u0159et\u00ed knihu Opu\u0161t\u011bn\u00fdch m\u00edst. Skute\u010dn\u011b se tak stalo a na samotn\u00e9m konci roku 2012 se kniha objevila, op\u011bt u stejn\u00e9ho vydavatele, kter\u00fdm je Uitgeverij Lannoo. Ani jsem ne\u010dekal, \u017ee se kniha ke mn\u011b dostane tak rychle, ale tak u\u017e to u d\u00e1rk\u016f b\u00fdv\u00e1 \ud83d\ude42 D\u011bkuji za ni. P\u0159edchoz\u00ed d\u00edly (zvl\u00e1\u0161\u0165 ten prvn\u00ed<\/a>) nastavily kvalitu velmi vysoko a staly se nezbytnou sou\u010d\u00e1st\u00ed knihovny ka\u017ed\u00e9ho obdivovatele atmosf\u00e9ry m\u00edst, kter\u00e1 \u010dlov\u011bk opustil, ale tak\u00e9 precizn\u00ed fotografick\u00e9 pr\u00e1ce. Henk m\u00e1 evidentn\u011b v archivu dost a dost materi\u00e1lu a tak je tu d\u00edl t\u0159et\u00ed. Hned na za\u010d\u00e1tku prozrad\u00edm, \u017ee je sv\u00fdm obsahem do ur\u010dit\u00e9 m\u00edry odli\u0161n\u00fd, p\u0159esto v\u0161ak unik\u00e1tn\u00ed.<\/p>\n

\"abp_3_02\"<\/a>V minul\u00e9 recenzi<\/a> jsem se podivoval nad t\u00edm, \u017ee autor zm\u011bnil atraktivn\u00ed \u0161iroko\u00fahl\u00fd form\u00e1t knihy na vcelku obvykl\u00fd form\u00e1t na v\u00fd\u0161ku, \u010d\u00edm\u017e dokonale p\u0159eru\u0161il mo\u017enost homogenn\u00edho vzhledu s\u00e9rie. I kdy\u017e grafick\u00e1 \u00faprava u obou d\u00edl\u016f koresponduje, form\u00e1t bohu\u017eel ne. O to v\u00edc m\u011b nyn\u00ed p\u0159ekvapilo, \u017ee \u0161iroko\u00fahl\u00fd form\u00e1t je zp\u011bt! T\u0159et\u00ed d\u00edl tedy lad\u00ed s prvn\u00edm a samoz\u0159ejm\u011b stejn\u00e1 pro v\u0161echny t\u0159i je grafick\u00e1 \u00faprava, p\u0159\u00edjemn\u00e1 nevt\u00edrav\u00fdm\u00a0 minimalismem, nyn\u00ed op\u011bt s jinou dopl\u0148kovou barvou, kterou se stala azurov\u00e1 modr\u00e1. To, na co ale \u010dlov\u011bk \u010dek\u00e1 u Henkov\u00fdch knih jsou hlavn\u011b fotografie. A t\u011bch je op\u011bt velk\u00e1 spousta. Oproti p\u0159edchoz\u00edm d\u00edl\u016fm (hlavn\u011b prvn\u00edmu) prakticky vymizely \u010dernob\u00edl\u00e9 fotky – t\u0159et\u00ed d\u00edl Opu\u0161t\u011bn\u00fdch m\u00edst si mnohem v\u00edce pohr\u00e1v\u00e1 s barvami. Jejich p\u0159\u00edtomnost d\u00e1v\u00e1 dal\u0161\u00ed rozm\u011bry fotografi\u00edm, na nich\u017e tak o\u017e\u00edvaj\u00ed nejen jednotliv\u00e9 objekty, ale i nezbytn\u00e9 atributy tohoto druhu fotografi\u00ed – \u0161p\u00edna, pl\u00edse\u0148, pr\u016fsaky vody a v\u0161udyp\u0159\u00edtomn\u00fd rozklad. Atmosferi\u010dnost \u010dernob\u00edl\u00fdch sn\u00edmk\u016f tak nahrazuje ur\u010dit\u00e1 syrovost, kter\u00e1 fotografovan\u00e1 m\u00edsta v\u00edce p\u0159ibli\u017euje realit\u011b.<\/p>\n

\"abp_3_03\"<\/a>V\u00fdb\u011br barevn\u00fdch sn\u00edmk\u016f ale nen\u00ed to jedin\u00e9, v \u010dem jsou Opu\u0161t\u011bn\u00e1 m\u00edsta 3 jin\u00e1. Obdivovatel\u00e9 industri\u00e1ln\u00edch staveb budou asi zklam\u00e1ni, proto\u017ee optika knihy (a hlavn\u011b fotoapar\u00e1tu) je nyn\u00ed zam\u011b\u0159ena trochu jin\u00fdm sm\u011brem. P\u0159i listov\u00e1n\u00ed jsem se nemohl zbavit jednoho slova, kter\u00e9 mi neust\u00e1le \u0161lo na mysl – bizarn\u00ed. Ano, jestli n\u011bco tuto t\u0159et\u00ed knihu m\u016f\u017ee charakterizovat, je to pr\u00e1v\u011b slovo bizarn\u00ed. Mo\u017en\u00e1 za to m\u016f\u017ee i to, \u017ee \u0159ada fotografi\u00ed poch\u00e1z\u00ed z Japonska a i kdy\u017e ani tam se budov\u00e1m rozklad nevyh\u00fdb\u00e1, je p\u0159eci jen do jist\u00e9 m\u00edry exotick\u00fd. Ale popo\u0159ad\u011b.<\/p>\n

\"abp_3_04\"<\/a>Henk v duchu sv\u00e9ho povol\u00e1n\u00ed dopravn\u00edho pilota prol\u00e9t\u00e1 obsahem knihy \u0159adu zem\u00ed. Fotografie poch\u00e1zej\u00ed z m\u00edst v Polsku, Mexiku, Belgii, N\u011bmecku, Francii, USA ale nejv\u00edce jich je pr\u00e1v\u011b z Japonska a It\u00e1lie. Sn\u00edmky jsou op\u011bt doprov\u00e1zeny stru\u010dn\u00fdm koment\u00e1\u0159em, kde se \u010dten\u00e1\u0159 dozv\u00ed n\u011bco o m\u00edst\u011b samotn\u00e9m, jeho historii a situac\u00edch, za jak\u00fdch fotka vznikla. Paleta prost\u0159ed\u00ed je \u0161irok\u00e1, ale p\u0159eci jenom trochu jin\u00e1, ne\u017e v minul\u00fdch d\u00edlech. Opu\u0161t\u011bn\u00edm a rozkladem je posti\u017een loveck\u00fd z\u00e1me\u010dek, kde p\u0159espal Mozart nebo Louis Bl\u00e9riot po nouzov\u00e9m p\u0159ist\u00e1n\u00ed na nedalek\u00e9m poli, opu\u0161t\u011bn\u00e9 jsou s\u00e1ly a prostory nemocnice a opu\u0161t\u011bn\u00fd je i star\u00fd farm\u00e1\u0159sk\u00fd d\u016fm s tlej\u00edc\u00edmi fotografiemi sv\u00fdch d\u00e1vn\u00fdch obyvatel. Zapomn\u011bn\u00ed neminulo ani hotel v N\u011bmecku nebo starou italskou nemocnici s prosklen\u00fdm ambitem, jeho\u017e \u0161pinav\u00fdmi okny se dovnit\u0159 natahuj\u00ed nejenom skvrny slune\u010dn\u00edho sv\u011btla, ale i \u0161lahouny b\u0159e\u010d\u0165anu. V suter\u00e9nech se skvrnit\u00fdmi stropy se pak na chodb\u00e1ch vyvaluj\u00ed zpuch\u0159el\u00e1 leh\u00e1tka a zeshora se natahuj\u00ed koroduj\u00edc\u00ed chirurgick\u00e1 sv\u011btla. N\u00e1sleduje n\u011bkolik italsk\u00fdch vil a z\u00e1me\u010dk\u016f, zanesen\u00fdch prachem, s loupaj\u00edc\u00edmi se malbami na st\u011bn\u00e1ch a reziv\u011bj\u00edc\u00edm z\u00e1bradl\u00edm rozpadaj\u00edc\u00edch se schodi\u0161\u0165. Oproti industri\u00e1ln\u00edm d\u017eungl\u00edm prvn\u00edho d\u00edlu jsou takov\u00e9 fotografie daleko civiln\u011bj\u0161\u00ed, v\u00edce p\u0159ipom\u00ednaj\u00edc\u00ed \u010dlov\u011bka a jeho zp\u016fsob \u017eivota v r\u016fzn\u00fdch dob\u00e1ch.<\/p>\n

\"abp_3_05\"<\/a>V\u0161echny fotografie jsou pln\u00e9 detail\u016f, jako t\u0159eba bizarn\u00ed tapeta v kuchyni z opu\u0161t\u011bn\u00e9 islandsk\u00e9 farmy, kde je na stole je\u0161t\u011b n\u00e1dob\u00ed s vrstvou prachu. Je tak vid\u011bt v\u00edc do soukrom\u00ed, do m\u00edst, kde lid\u00e9 re\u00e1ln\u011b \u017eili. Slovo bizarn\u00ed pak napl\u0148uje skok na dal\u0161\u00edch str\u00e1nk\u00e1ch, kdy se objev\u00ed zpustl\u00fd park pln\u00fd betonov\u00fdch dinosaur\u016f kdesi v Karibiku, rozpadaj\u00edc\u00ed se leti\u0161t\u011b nebo a\u017e skoro pokoutn\u00ed l\u00e9ka\u0159sk\u00e1 ordinace v Japonsku. Opu\u0161t\u011bn\u00fd z\u00e1bavn\u00ed park jak z lacin\u00e9ho hororu, s mrtv\u00fdmi \u017e\u00e1rovkami a atrakcemi zarostl\u00fdmi tr\u00e1vou, hala s hrac\u00edmi automaty, jejich\u017e hry by nyn\u00ed asi t\u011b\u017eko n\u011bkdo pochopil nebo nechutn\u011b vyhl\u00ed\u017eej\u00edc\u00ed lahve s hady nalo\u017een\u00fdmi v lihu. Rozsypan\u00fd mah-jong s pukl\u00fdmi kostkami a pl\u00edsn\u00ed, rozpadl\u00e1 divadla, \u0161koln\u00ed t\u0159\u00eddy nebo zubn\u00ed ordinace s krabicemi pln\u00fdmi um\u011bl\u00fdch zub\u016f. Bizarn\u00ed domy a tvary, zch\u00e1tral\u00e9 l\u00e1zn\u011b nebo komplex hotelu nad \u0159ekou. Bizarnost podporuj\u00ed japonsk\u00e9 propriety jako \u010dajov\u00e9 konvi\u010dky, panenky, \u0161oupac\u00ed pap\u00edrov\u00e9 dve\u0159e, n\u00edzk\u00e9 stolky a roho\u017ee stejn\u011b jako bambus pror\u016fstaj\u00edc\u00ed podlahou. Aby byla j\u00edzda \u00fapln\u00e1, knihu zakon\u010duje opu\u0161t\u011bn\u00e9 westernov\u00e9 m\u011bste\u010dko z USA, s fotkou Johna Waynea, bob\u0159\u00edmi ko\u017ee\u0161inami a pelichaj\u00edc\u00edmi motorov\u00fdmi pandami. Ano, jsme toti\u017e po\u0159\u00e1d je\u0161t\u011b v Japonsku, kde tuhle z\u00e1bavn\u00ed atrakci p\u0159ed lety zav\u0159eli a ta propadla rozkladu. Nechyb\u00ed figur\u00edny indi\u00e1n\u016f, bizon, Mount Rushmore ani socha Lincolna. N\u00e1prava je pak v podob\u011b pr\u00e1zdn\u00e9ho obchodn\u00edho centra, tentokr\u00e1t ji\u017e opravdu v USA.<\/p>\n

\"abp_3_06\"<\/a>Nelze \u0159\u00edct, jestli je t\u0159et\u00ed d\u00edl Opu\u0161t\u011bn\u00fdch m\u00edst hor\u0161\u00ed, ne\u017e d\u00edly p\u0159edchoz\u00ed. Je prost\u011b jin\u00fd, civiln\u011bj\u0161\u00ed i bizarn\u011bj\u0161\u00ed z\u00e1rove\u0148, obch\u00e1z\u00ed vcelku anonymn\u00ed a technick\u00e9 struktury industri\u00e1ln\u00edch staveb a p\u0159in\u00e1\u0161\u00ed skute\u010dn\u00e9 lidsk\u00e9 prost\u0159ed\u00ed, z\u00e1mky, domy, nemocnice, h\u0159ibitovy, ordinace, l\u00e1zn\u011b, z\u00e1bavn\u00ed parky, kaple i t\u011blocvi\u010dnu. V\u0161e v r\u016fzn\u00e9m st\u00e1diu rozkladu, v\u0161e se sv\u00e9bytnou atmosf\u00e9rou konkr\u00e9tn\u00edho m\u00edsta. Mysl\u00edm, \u017ee s\u00edla t\u0159et\u00edho d\u00edlu se pozn\u00e1 pr\u00e1v\u011b ve spojen\u00ed s p\u0159edchoz\u00edmi, jde o kus mozaiky, kter\u00fd zapadne na sv\u00e9 m\u00edsto a rozvine tak dal\u0161\u00ed \u00fahel pohledu na m\u00edsta, kter\u00e1 \u010dlov\u011bk ob\u00fdval a pak opustil.<\/p>\n

Autor: Henk Van Rensbergen<\/p>\n

V roce 2012 vydal Uitgeverij Lannoo, Lannoo International
\nISBN: 978 94 014 0452 5
\nPo\u010det stran: 192
\nProveden\u00ed: Lepen\u00e1, v\u00e1zan\u00e1, pevn\u00e9 desky bez obalu
\nPr\u016fm\u011brn\u00e1 cena: 35USD
\nVelikost: 29,5\u00d723,5cm<\/p>\n

Hodnocen\u00ed: 8\/10<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

P\u0159ed pouh\u00fdmi p\u00e1r m\u011bs\u00edci, v minul\u00e9 recenzi knihy Abandoned Places 2, jsem se zm\u00ednil, \u017ee belgick\u00fd pilot a fotograf Henk Van Rensbergen se chyst\u00e1 vydat dal\u0161\u00ed, tedy ji\u017e t\u0159et\u00ed knihu Opu\u0161t\u011bn\u00fdch m\u00edst. Skute\u010dn\u011b se tak stalo a na samotn\u00e9m konci roku 2012 se kniha objevila, op\u011bt u stejn\u00e9ho vydavatele, kter\u00fdm je Uitgeverij Lannoo. Ani jsem […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[28,53],"tags":[163],"_links":{"self":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/posts\/1170"}],"collection":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1170"}],"version-history":[{"count":5,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/posts\/1170\/revisions"}],"predecessor-version":[{"id":1181,"href":"https:\/\/darkart.cz\/index.php?rest_route=\/wp\/v2\/posts\/1170\/revisions\/1181"}],"wp:attachment":[{"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1170"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1170"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/darkart.cz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1170"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}